Shows & Tickets

Having chalked up nearly fifty years at the peak of the music and entertainment industry, Justin Hayward’s voice has been heard the world over.  Known principally as the vocalist, lead guitarist and composer for the Moody Blues, his is an enduring talent that has helped to define the times in which he worked. Over the last forty-five years the band has sold fifty five million albums and received numerous awards. Commercial success has gone hand in hand with critical acclaim, The Moody Blues are renowned the world over as innovators and trail blazers who have influenced any number of fellow artists.  Justin is honoured with the Moody Blues on the Rock Walk Hall of Fame on Sunset Boulevard.

Born and brought up in Swindon in the UK, Justin’s interest in music started early when he was five years old and his grandfather bequeathed him his large collection of 78 rpm recordings. “It opened a world of imagination to me,” says Justin.  Having taught himself to play the ukulele, he soon progressed to guitar and by his early teens he was playing in local groups.  Upon leaving school at 17 he answered an advertisement in Melody Maker newspaper and successfully auditioned for UK Rock and Roll hero Marty Wilde. “I got the job playing guitar for Marty – it was a dream come true for me”. Justin credits Marty with encouraging him to become a songwriter; he made several recordings with Marty’s ‘Wilde Three’ and also appeared with them at the London Palladium.  They remain close friends to this day: “Marty is still my hero”.

Having started the ball rolling as a songwriter in his own right with a couple of solo singles, he joined the Moody Blues in the summer of 1966. Hitting his stride immediately with the single ‘Fly Me High’, he followed it up with the classic hit songs ‘Nights in White Satin’ and ‘Tuesday Afternoon’ from the seminal album ‘Days of Future Past’. This album went on to become a favourite of the NASA astronauts and was taken aboard the Atlantis shuttle space craft by Chief astronaut “Hoot” Gibson on many missions.

This purple patch showed no sign of abating as Justin created other classic, era and genre-defining hits ‘Question’, ‘The Voice’, ‘I Know You’re Out There Somewhere’ and ‘Your Wildest Dreams’.  These laid the foundation for the incredible success story of the Moody Blues – as well as his solo work – which continues to this day.

When the Moody Blues took a break from touring in 1975, Justin worked on the Blue Jays album, followed by the hit single ‘Blue Guitar’ (recorded with the members of 10cc). Although the Moodies continued to record and tour at the highest level, Justin also found time to create several solo albums: ‘Songwriter’, ‘Night Flight’, ‘Moving Mountains’ and ‘The View From the Hill’.

Proving that he could write massive hits outside of the Moody Blues, Justin hit the Top Ten globally in 1978 with ‘Forever Autumn’ – created for Jeff Wayne’s ‘War of the Worlds’ album.  Becoming, even for a writer of his stature, a signature song, this was the spur to him taking to the stage – for five years, from 2005 – 2010, and starring in the spectacular live stadium production.

In the 1980s he was made a member of the famous ‘SODS’  (The Society of Distinguished Songwriters) and in 2012 he was elected ‘King SOD’.  He also collaborated in 1989 with Mike Batt and the London Philharmonic Orchestra and recorded the album ‘Classic Blue’.

In March 1997 Justin was chosen as the subject for the TV show ‘This Is Your Life’ in the presence of many of his friends including Marty Wilde, Lionel Bart and astronaut “Hoot” Gibson.

In 2005 he was presented with ‘The Golden Note’ award from ASCAP, the top honour for a British writer, and he has appeared in Nashville regularly with other songwriters in showcase events. In 2013 The Performing Rights Society in the UK awarded him his second Ivor Novello statue for ‘Outstanding Achievement’.

Whilst releasing solo albums and DVDs and working on many different projects, including new solo recordings, Justin continues to tour with the Moody Blues all across the world. Justin records in Italy and France of which he says, “Spending time making music in a beautiful place with your friends is every songwriter’s dream”. His latest album of new songs ‘Spirits Of The Western Sky’ – for Eagle Rock – was followed by several solo tours, and most recently a ‘live in concert’ DVD ‘Spirits…Live’, which reached No1 on the Billboard Video chart. “My acoustic solo tours give the perfect balance to the big production of the Moody Blues concerts. I’m so lucky to have both”. His live solo show is currently being shown all over the USA on PBS TV.

He is consistently touring the globe with The Moody Blues, and as a solo artist – accompanied by Julie Ragins, and Mike Dawes, one of a new generation of young exceptional and gifted guitar players.

“I have spent most of my life, so far, on the road”, says Justin. “Playing live and creating a small piece of magic in a room is like a drug to me, one that I never want to give up”. His is a talent that has helped soundtrack more than a generation and created a legacy that remains undimmed.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$50 | $60 | $70 + applicable fees.

Tables are available for reservation. Call the box office for more information.

Buy Tickets to Justin Hayward Here!

About Cubensis

Since 1987, Los Angeles-based band Cubensis has carried the torch in celebration of one of America’s most beloved touring bands, the Grateful Dead. Cubensis sets out to re-create the Grateful Dead experience by emulating the spirit of Jerry Garcia, Bob Weir, Phil Lesh, and the rest of the legendary San Francisco jam band. Cubensis plays complete shows covering all eras of the Grateful Dead, and no night is ever the same. Cubensis is far more than just your standard cover band as they bring the magic and sounds to those longing for the live vibe that only the Grateful Dead was able to deliver. Cubensis performs its critically acclaimed live performance of Grateful Dead show recreations to audiences and venues all over the western United States. Giving homage in a continually evolving artistic outlet, the band recreates the Grateful Dead experience with compelling accuracy. Like the Dead, the band explores and searches out all the possibilities of the music. The group has been acclaimed for giving new life to the Grateful Dead’s material, bringing in new styles, new innovations, and new jam band enthusiasts, while at the same time remaining loyal to the original music and the original fans. With Cubensis, the band is more likely to go off and do a little exploration on its own terms, which is a more authentic experience than trying too hard to re-create something that was done a long time ago by people who invented it. Cubensis is drawing national attention with their true-to-life performances. LA Weekly recently raved, “Cubensis plays with the same laid-back mastery as the real McCoy.” Big Brother skateboard magazine says Cubensis is “the nation’s premiere Dead tribute” and the OC Weekly declared them “the hottest Grateful Dead tribute act going.” OC Register affirmed Cubensis was “the best place to channel Jerry Garcia” and AOL Citybeat stated, “Cubensis is renown for whipping its faithful crowd into a swirling, psychedelic mass for three hours straight.” Each night, Cubensis decides on performing songs from the hundreds that the Grateful Dead performed during their 35-year tenure as fathers of improvisational rock. As a chamber orchestra interprets Bach or Mozart, Cubensis presents a completely spontaneous set list, song by song, with uncanny faithful interpretation. Audience members encourage the band by calling out requests for favorite tunes. The band performed their 3000th show during their 2013 summer tour. The group has its craft so well refined that even members of the Grateful Dead themselves, such as keyboardists Vince Welnick and Tom Constanten, have appeared on stage and performed with these live music interpreters. Dead rhythm guitarist Bob Weir encouraged the band, saying, “Just love what you do…and of course, you do!” Cubensis dips into every incarnation of the Dead, so most fans can experience shows that happened long before they were born. All eras of the Dead and the Jerry Garcia Band are represented. As with the originators, improvisation is key, so every night’s performance is unique and memorable. In addition to regional touring with numerous sold out shows, Cubensis continues their commitment to community service every fall, when they perform a benefit show in partnership with the Rex Foundation, a non-profit, charitable organization established in 1983 by friends and members of the Grateful Dead, to further the organization’s philanthropic goals. Money raised at the benefit concert is contributed directly to the Rex Foundation, which provides grants to area community groups and non-profits. Currently, the band is touring extensively with some 100 dates per year spread across the southwest from San Francisco to Lake Tahoe, San Diego, Phoenix and Las Vegas. The last several years have seen them playing at medium to large sized theatres joined by special guests from the jamband scene such as Vince Welnick of the Dead, Chris Robinson and Marc Ford of the Black Crowes, Warren Haynes of Allman Brothers fame, Garcia collaborators David Nelson and Martin Fierro, and Barney Doyle of the Mickey Hart Band. The group has been invited back to the House of Blues in Hollywood, Anaheim and San Diego for over 50 engagements. Cubensis’s authenticity and popularity is possible because of the Dead’s fervent fans, called Deadheads, who followed the group from show to show, who have now latched on to Cubensis. Unlike most bands, the Dead allowed its fans to tape performances. The tapes have been archived, and a database called DeadBase lists the order of songs done at every show. Thus, the band’s appearances and performances are highly anticipated. The band doesn’t reproduce the Grateful Dead’s songs note for note—though it would be hard for most listeners to tell. The Dead’s music is highly improvisational, with rock, country and jazz influences. Cubensis members say there’s room for interpretation while staying true to the original. “It’s all about tapping into the same inspirational flow,” says Cubensis lead guitarist Craig Marshall. Dead guru Jerry Garcia once gave Marshall permission to recreate the Dead’s music, as long as he did a “good job” of it. “I told him we played all Grateful Dead songs,” recounts Marshall, to which Garcia replied, in mock surprise, “Oh yeah? So do we!” Even the press has caught on to what they’re trying to do. LA Times observed, “As the tribute to one of the ultimate jam bands, their set lists are as free and frollicky as the crowd.” Big Brother skateboard magazine did a feature piece on Cubensis in its January 2002 issue and various newspapers and online publications have consistently praised the band, and its mellow but fanatical following. In the end, what Cubensis does is not just a tribute to the Grateful Dead but also a testament to the enormous number of unique setlists they performed in their long career. Cubensis seizes the framework of the original music and sees how much further it can be taken.    

Doors 6:30 PM | Opening Act 7:30 PM | Headlining Act 9 PM $13 advance | $15 day of + applicable fees. Tables are available for reservation. Call the box office for more information.

  Buy Tickets to Cubensis Here! 

A story behind every song…

Dave Wakeling is a hell of a nice guy! Dave loves to tell you the stories behind his songs, either from stage or after the show. Ask any one of the thousands of fans who have met him over the years and that’s what you’ll hear. Never mind that Dave is the singer/songwriter from two of the most popular bands of the end of the millennium, The English Beat and General Public, he’s a stand up man from Brum. Whether it’s the personal as political in How Can You Stand There, making politics personal in Stand Down Margaret, taking a stand against global warming as he did making Greepeace’s Alternative NRG, or helping little kids stand tall with Smile Train, Dave has always stood for something.

And like the might Redwoods of his adopted home of California (dude!), it’s easy for Dave to take a stand because of his strong roots…

Hailing from working-class Birmingham, England, Dave and The English Beat entered the music scene in the troubled times of 1979. When The English Beat rushed on to the music scene it was a time of social, political and musical upheaval. Into this storm came they came, trying to calm the waters with their simple message of love and unity set to a great dance beat.

The six member band consisted of singer/songwriter Dave Wakeling (vocals & guitar), Andy Cox (guitar), David Steele (bass), Everett Morton (drums), Saxa (saxophone) and Ranking Roger (toasting). The band managed to fuse all of their respective musical influences – soul, reggae, pop and punk – into a unique sound that was highly danceable. Along with contemporaries such as The Specials, The Selecter and Madness, The English Beat became one of the most popular and influential bands of the British Two Tone Ska movement.

Over the course of three albums, The English Beat achieved great success in their home country, charting several singles into the top 10. In addition to their UK chart success, in America the band found a solid base of young fans eager to dance to the their hypnotic rhythms and absorb their message of peace, love & unity. Their constant touring with iconic bands such as The Clash and The Police helped to boost their popularity in the States.

Despite his huge success, Dave didn’t stop singing and acting on the problems caused by what he called the “noise in this world”. The band donated all the profits from their highly successful single version of “Stand Down Margaret” to the Committee for Nuclear Disarmament. They donated their music to causes including the anti-nuclear benefit album “Life in The European Theatre”, “The World of Music and Dance” album focusing on indigenous people’s art, and lent their voice to The Special AKA’s anthemic song of freedom “Free Nelson Mandela”, to name but a few.

Dave Wakeling once told me that every great band only has three really good albums. And true to form, The English Beat disbanded in 1983, after their third album, “Special Beat Service”.

The end of one chapter and the beginning of a new one…

It was at this point that Dave recruited Roger, Stoker (drums) and Mickey Billingham (keyboards) of Dexy’s Midnight Runners, Horace Panter (bass) of The Specials, and Clash guitarist Mick Jones to form a new band: General Public. Their first album, All The Rage, met with phenomenal success, charting high in the U.S., U.K. and even winning the band a coveted Juno award in Canada for Best New Artist in 1984.

After the fantastic success of All The Rage, Dave spent two years writing and recording the follow-up album, Hand to Mouth. Like Wha’ppen before it, this sophomore effort was more introspective, taking fans along with him on Dave’s continual exploration of the light and dark side of human emotion. The album was a critical and fan favorite, and spawned two hit singles, Too Much or Nothing and Come Again.

After the second General Public Album, Dave decided to go in a different musical direction and follow his own muse. Having previously worked in Hollywood with John Hughes on his iconic film Ferris Bueller’s Day Off, Dave returned to work for the silver screen, producing the soundtrack and recording the title track for Hughes 1988 film She’s Having a Baby. After that he recorded his first solo record, No Warning. The album maintained the pop sensibilities for which General Public had been known, and in addition exposed even more of the mind and emotions of the man behind it all.

Forward as one…

After his solo album, Dave decided to put his notoriety to good use, and pursued a full-time position saving the planet at a job with Greenpeace. This didn’t mean a break from music, just a break from being the lead singer, as he stepped inside the mixing booth to produce the Greenpeace album Alternative NRG.

What made this album outstanding and ground breaking was not just the outstanding roster of rock luminaries Dave convinced to appear on the album, including REM, U2, Midnight Oil, UB40, Annie Lennox, and Sonic Youth, to name a few, but the fact that it was recorded in 14 separate venues across America using a recording truck powered exclusively by solar power – a 160 square foot, 1,920-watt solar panel array contained in a trailer known as Cyrus. The power produced by the solar array, once converted to AC (the sun is DC), generated enough electricity to meet the needs of an average-size house for several days, and was proof positive of the viability of solar and other forms of alternative energy.

I’ll take you there…

After a metaphorical bump on the head from Elvis Costello for abandoning his post as crooner (a true story, ask Dave about it some time), Dave felt the need to “take us there” one more time. Dave teamed up with old friends to reform General Public and wrote and released his third GP album, Rub It Better, in 1995. The album and Dave’s return to the stage were met with an outpouring of critical raves and fan support. The album provided yet another hot single for Dave, with his infectious reggae remake of an old Staples Singers song, I’ll Take You There, climbing the singles charts and anchoring the soundtrack of the very hip, box office hit Threesome, starring Lara Flynn Boyle, Stephen Baldwin, and Josh Charles.

Having stricken a whole new group of fans with Beat-madness, Dave then disband General Public in 1996. However, true to his philanthropic bent and always looking to help other musicians out, Dave reformed GP in 1998 to play a benefit concert for Sweet Relief, a wonderful grassroots organization that provides assistance to career musicians.

The English Beat goes on…

Having accepted and embraced his true calling again (thanks Declan) , Dave continued to perform, touring back and forth across the States. Dave did it old school, touring clubs and playing countless gig from sea to shining sea, re-connecting with his Beat and General Public fans and building a strong and loyal fan base that continues to love his songs and embrace the evolution of his music.

Then, in February 2003, we saw a dream come true for Dave and many Beat fans as the band reunited (no, not on that show) for a mini-tour in the UK, which culminated in their sold-out command performance at the Royal Festival Hall! Dave, Everett, Roger, Blockhead and the star of the show, Saxa, took the crowd by storm! It was a magical homecoming for Dave and a really wonderful experience for the fans, with band members and fans gathering from around the globe for a night or irie, ska-ful rock-steady Beat! Being the hard driving ska legend that he is, however, Dave Wakeling was not content to rest on his laurels after the RFH reunion…

Beat this!

Tongue firmly in cheek, feet on the ground and eyes on the future, Dave takes the stage time and again, touring across the States, Canada, the UK and beyond. He does it for two reasons. First, he loves to play music, period. Second, he sees his job here on Earth to be bringing a message of love, unity and a steady, rhythmic groove of danceable songs with a message to the masses. Fans see him as an icon and to the young bands coming up he’s the elder statesman of ska. His swooning croon has been covered by such rock luminaries as Peter Townshend, Eddie Vedder and Elvis Costello.

He’s repeatedly referred to in the press now as a “legacy artist” and an “icon”: he’s wasn’t quite sure what it all meant and thought he might be entitled to some extra initials after his name (he wasn’t).

However, he learned what those terms actually mean early in 2006 when, much to his surprise, bemusement, and eternal joy, the Rock & Roll Hall of Fame contacted him and asked him for his trademark Vox teardrop guitar, to be displayed in a place of honour alongside the axes of Jimi Hendrix and Nirvana’s Kurt Cobain. Truly a wonderful and humbling experience for a working class boy from Brum!

Dave is currently entering a musical renaissance and, still enjoying that legacy moment, he’s now planning on going into the studio to lay down a new album. Dave also continues to tour as The English Beat, as he had done for the last three decades, with an amazing all-star ska backing band (featuring players from The English Beat, General Public, and guest stars from the likes of The Specials, The Selecter, and other 2Tone bands) playing all the hits of those bands and his new songs. Expect the unexpected and prepare to be blown away by the ever-changing King of Ska!

One thing that hasn’t and won’t change though, Dave Wakeling remains a hell of a nice guy.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$28 | $38 | $48+ Applicable Fees

Tables are available for reservation. Call the box office for more information.

  Click Here To Buy Tickets To See The English Beat! 

“A gritty, bluesy, (rocker) with enough genuine swagger to draw comparisons to Mick Jagger.”
– Rolling Stone Magazine

Best known as the singer-songwriter/ front man of the Philadelphia based blues- rock band Cinderella, Tom Keifer, is enjoying continued success and touring in support of his solo debut, The Way Life Goes.

Though he possesses all the fire and brimstone of Rock’s greatest front men, you would be hard pressed to find the versatility and dimension that Keifer brings to a stage.

Whether delivering heart wrenching ballads, such as Don’t Know What You Got ‘til It’s Gone, channeling the soul of the bluesmen of the past with his slide guitar and lap steel, or blowing sax on rockers like “Shelter Me”, Keifer is clearly one of the most unique singers and accomplished musicians in Rock and Roll. Combine that with his new band, Tony Higbee (Guitar/vocals), Billy Mercer (Bass/vocals), Kory Myers (Keyboards/Vocals), Jarred Pope, (Drums), Savannah Keifer (Vocals/percussion/Piano) and Kendra Chantelle (Vocals/percussion), and there is only one possible outcome- A high energy rock show combining all the classic hits of Cinderella with new favorites from The Way Life Goes that will only leave you wanting more.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$38 | $48 | $58 + applicable fees.

Tables are available for reservation. Call the box office for more information.

Buy Tickets to Cinderella’s Tom Keifer Here!

Black Flag was formed in 1976 in Hermosa Beach, CA by guitarist, primary songwriter, and sole continuous member Greg Ginn. The band’s discography includes seven studio albums and two live albums.

Black Flag has released all of their material on Ginn’s independent label, SST Records beginning with 1981’s Damaged. Vocalist, Mike Vallely, first sang with the band as a guest vocalist in 2003, before becoming Black Flag’s fifth vocalist and touring with the band in 2014.

The band is well-respected within the punk subculture, primarily for their tireless promotion of an autonomous DIY punk ethic and aesthetic. They are often regarded as pioneers in the movement of underground do-it-yourself record labels. Through constant touring throughout the United States and abroad, Black Flag has established a dedicated cult following.

Doors at 6:30, show at 7:30

$30+ applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to See Black Flag Here! 

~ About SCOTT STAPP ~

Doors 6:30PM | Opening Act 7:30PM | Headliner 9PM

$30 | $40 | $50 +applicable fees

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to Scott Stapp Here! 

Plain White T’s is an American pop punk band from Lombard, Illinois, formed in 1997 by high school friends Tom Higgenson (Who wrote a song for a girl in a relationship to try to win her over, and make her leave her boyfriend to be with him), Dave Tirio, and Ken Fletcher. They were joined a short time later by Steve Mast. The group had a mostly underground following in Chicago basements, clubs and bars in its early years.

The band is best known in the USA for the number-one hit song “Hey There Delilah”, which achieved platinum status in 2007 and earned two Grammy nominations, as well as “1234” and “Rhythm of Love”, which were certified platinum in 2009 and 2011.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$28 | $38 | $48 + applicable fees.

Tables are available for reservation. Call the box office for more information.

Buy Tickets to Plain White T’s Here!

GARY PUCKETT has performed on more than thirty network television shows and prime time specials during his career, even adding a command performance for the President and Prince Charles at the White House. The Union Gap disbanded in the seventies. In 1974, “Young Girl” was reissued in England where it received a silver record award for attaining a top five position on the pop charts, several years after its initial release.

Gary continues to tour nationally & internationally, has a new album out now, “GARY PUCKETT – LIVE”, and has recently released his first ever Christmas CD, entitled “At Christmas”.

Gary currently resides in Clearwater, FL with his wife and family.

Did you know that…

In 1968 Gary Puckett and The Union Gap had six consecutive gold records and sold more records than any other recording act…including the Beatles.

They played a command performance at the White House for Prince Charles and Princess Anne by special invitation of the President.

Gary Puckett and The Union Gap was one of a very select group of touring acts to achieve prominence worldwide.

In 1971 Gary disbanded The Union Gap

In 1974 “Young Girl” was reissued by popular request in England where it reached number five and achieved a Silver Record Award for the second time. This is a full six years after the song was initially released.

The Gary Puckett and The Union Gap’s “Greatest Hits” album is one of CBS’ best selling “Collector Series” albums today.

In 1986 Gary was invited to tour with the Monkees on their national reunion tour, which established itself as a major hit of the 1986 touring season.

In 2001, Gary has released his latest CD, “In Europe”. Originally recorded in Europe, this CD has new versions of “Young Girl” and “Lady Willpower”,with a European flair.

In August 2001, Gary released his first ever Christmas CD, called “At Christmas”. This CD, available exclusively at GaryPuckettMusic.com, is a beautiful collection of traditional Christmas songs….Well worth the wait.

In March 2002, Gary released “Live”, a collection of hits recorded live and featuring the song ” Home “, dedicated to the men and women defending our country with their lives.

Doors 6:30PM | Opening Act 7:30PM | Headliner 9PM

$30 | $40 | $50 +applicable fees

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to Gary Puckett & The Union Gap Here! 

~About Geoff Tate ~

When most musicians record solo albums, it’s because they need an outlet for material that doesn’t fit the scope of their band. That wasn’t the case with Geoff Tate. While there’s very little on his solo debut that couldn’t fit within the ever-evolving musical scope of Queensrÿche, the difference for the vocalist lies in the expression of those songs, and how they actually came to fruition.

“The problem when you’re in a creative environment is keeping things fresh and invigorating, and after working with the same people for twenty years, it gets very difficult—You walk into the room, and everybody knows what everybody is going to do,” explains the frontman. “There’s no spark of new blood, the chemistry is very tried and true, and you just keep coming up with the same ways of expressing yourself. What’s nice about doing a side project with new people, is that it’s a whole new breed, and a bunch of new ideas, musical backgrounds, emotional baggage, and whatever else it takes to create. It’s a whole new set of parameters, so it’s all new, everyone has ideas you haven’t heard before, and everyone is throwing them against the wall. It takes on a whole new life.”

For Tate, that “whole new life” is a vibrant tapestry of human emotion and expression, the culmination being his eponymous 11-track offering on Sanctuary Records. “The songs are all about the strongest passion of life, which is love. It’s all about the feelings that you have for somebody, how relationships work and don’t work, the misunderstandings, and all that it takes to keep a relationship working. That said, it’s also about stepping out on you’re own and trying new stuff, and not being afraid to take that big step. That makes it kind of autobiographical, because I’m taking that step, moving out from where I’ve been and stepping into other areas, and that’s important for people to do.”

“Ask me what I believe in, I’ll say compromise…” rings the opening line of the album’s first track, and in those vulnerable depths of “Flood” the mood is set. The music swirls in a textured wash of soothing guitar tones and gently cascading rhythms, and Tate’s vocals shower the proceedings like the most welcome of spring rains, his words glistening like a morning dew. Fans of Queensrÿche will revel in the familiar, soothing warmth of one of music’s most pure voices, while new fans will find themselves lost somewhere between the melancholy of “Forever” and the hopeful effervescence of “This Moment.” Co-songwriter Scott Moughton paves a tantalizing trail of Spanish-flavored guitars into “Helpless,” a piano lays the path through the peaceful calm of “In Other Words,” drums propel “Passenger,” and “Grain Of Faith” plays like the perfect culmination of Tate’s lyrical harmony and Carrell’s guitar-based foundations.

“One of the most brilliant points of humanity is when you take a complex situation, and describe it in a sense that’s simplistic enough for people to grasp it very easily. That’s amazing, really, and that’s what I try to do with songwriting—I try to take a big subject and condense it down into something very simple, maybe just a phrase, or a line, or a couple of lines that says everything. That’s a tough challenge, and that’s what keeps bringing me back to writing music. It’s never easy, which means there’s always a challenge to come up with something new and different.

“I’ve often had this problem of looking at the glass like it’s half-empty, and I’ve been trying for all these years to figure out how to change that perspective. All of a sudden, I’ve done it, and I don’t know how I did it—I think it’s just sort of letting it all go, and knowing that it will change and get better. I’m definitely in a better place now than I’ve ever been in before, I’ve got a real positive outlook now,” Tate offers, drawing a comparison between his solo release, and his prior body of work. “Queensrÿche seems to have angst about it, and I think that’s just because of the dynamics of the members involved. This was much more of a peaceful vibe.”

While a “peaceful” vibe may seem a bit askew from the voice behind Queensrÿche’s Operation: Mindcrime epic, there’s not a rock band around that has had the bravado to take their music in as divergent directions as Tate’s full-time outfit, and that fact isn’t lost on the singer. “I never tried to have a box thrown around myself and be a ‘heavy metal’ singer,” he explains. “If you listen to a lot of Queensrÿche records, especially since Empire, we’ve done many different types of music and vocals, all based around guitars. ‘Silent Lucidity’ and ‘Jet City Woman’ aren’t heavy metal anthems, they’re just good songs, and I think this new record of mine is a greater extension of where Queensrÿche went in those directions.”

  Buy Tickets to see Geoff Tate’s Operation: Mindcrime Here! 

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$25 | $35 | $45 + applicable fees.

Tables are available for reservation. Call the box office for more information.

~ About Dog n Butterfly ~

Doors 6:30PM | Show 7:30PM

$15 | $20 | $25+ applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to See Dog N Butterfly Here! 

Doors 6:30PM | Show starts at 7:30PM

$15 | $20 | $30 + applicable fees.

Tables are available for reservation. Call the box office for more information.

  Click Here To Buy Tickets To See DESPERADO! 

TANYA TUCKER THE LEGEND & THE LEGACY

At the age of 13, the original female country outlaw Tanya Tucker was the youngest female to grace the cover of Rolling Stone Magazine with the message, “You’re Gonna Hear From Me.” Dubbed as the female Elvis, she achieved mainstream chart topping success with 15 number 1 hits including “Delta Dawn,” 41 top 10 hits, and 23 top 40 albums. Nominated 10 times for a Grammy, this CMA and ACM winning artist was awarded the 2016 ACM Pioneer Award for her over 50 years of success in her longstanding musical career.

17 years after the release of her last record, the 60 year old living legend is set to release a tell-all record, full of wisdom, wit, and heart, produced by 3 time Grammy award winning artist Brandi Carlile and Shooter Jennings, alongside the full length documentary “Delta Dawn, Then and Now: The Return of Tanya Tucker.” Join us on the journey with this one and only living legend.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$40 | $50 | $60+ applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to See Tanya Tucker Here! 

There is little doubt among the pure rock community that the legendary band Queen and lead performer Freddie Mercury earn high ranks as one of the most powerful and iconic groups in rock history. Queen, the kings of arena rock, performed to packed stadiums around the globe for over two decades. Freddie took showmanship by a rock front man to a new untapped level and was undisputedly crowned the lord of arena rock. He mesmerized audiences with his charismatic energy and larger than life stage persona. Upon his death in 1991, a huge void was left in the rock concert world, which to this day has not yet been matched. Queen Nation, a tribute to Queen, was formed in 2004. Queen Nation consists of: Gregory Finsley on vocals & keyboards as Freddie Mercury, Mike McManus on guitar as Brian May, Pete Burke on drums as Roger Taylor, and Parker Combs on bass as John Deacon. The mission of the show is to carry on the musical torch and pay homage to the golden age of vintage Queen concerts.Queen Nation’s live 90-minute production of Queen’s greatest hits preserves the image, sound, and stage persona of vintage Queen. Audiences are amazed at the accuracy of Queen Nation’s live retrospective journey through such Queen songs as We Will Rock You – Bohemian Rhapsody – We Are The Champions – Crazy Little Thing Called Love – You’re My Best Friend – Another One Bites The Dust – Under Pressure and many more. They have performed in front of thousands of people at casinos, fairs, festivals and private affairs.
	MIKE McMANUS – GUITAR / VOCALS Born and raised in the suburbs of Boston and weaned on his Dad’s Beatles albums at an early age, Mike could sing every song on the Sgt. Pepper’s album by the age six. It was there he acquired a taste for melodic 70’s arena rock bands such as Queen and Cheap Trick. After High School, Mike enrolled in Berklee College of Music. He soon left Boston for Los Angeles, and began sowing the seeds for what would become the hard rock band, EGODOG EGODOG released three critically acclaimed albums between 1997 and 2001, and traveled abroad each year performing for the U.S. Department of Defense. These very successful tours entertaining our troops took them to such far away countries as Japan, Bosnia, Kosovo and Hungary. In 2003, Mike created the musically animated Uncle Moondog, a scruffy-looking terrier who lives on the beach, sings songs and drives a dune buggy. (Check out www.unclemoondog.com) He wrote, recorded and released the 10-song “Uncle Moondog” CD in December 2003, and has received rave reviews across the country and spanning as far as the U.K. and Japan. In 2004, Mike got a call from singer Joe Retta to complete the line-up for Queen Nation. Looking at it as a labor of love, Mike buckled down and began learning all the guitar parts and transcribing all the harmonies. Not an easy task! Mike stated “I didn’t think I could gain any more respect for Brian May and Queen than I already had… My respect for them DOUBLED when I sat down to learn these songs!” His hard work led to an endorsement with Burns Guitars, maker of the Brian May model. Add to that Mike’s dead-on Brian May mannerisms and accurate stage attire, and you’d swear you were at the L.A. Forum in 1980!
	GREG FINSLEY – VOCALS / PIANO Gregory Finsley has been influenced by music’s greatest heroes since he could turn a radio dial as a child! Having been educated from middle school through high school, jazz and marching bands in Dallas, TX Gregory took up percussion at age 11 and never stopped. His desire to multitask became an easy habit early in life wanting to sing and play the drum set simultaneously and later the piano. Mixing rock, blues, swamp pop, country, and other styles of music in bands, Gregory has played with great musicians in New Orleans since he arrived in 1995. He even played Bourbon St. at the famous Tropical Isle with “Late As Usual” on a weekly basis. Strangely enough, Gregory’s first ever rock concert was Dec, 10, 1977 at Tarrant County Convention Center to see Queen perform being almost 12 years old! Watching the black crown raise up with the mist and smoke, lights and band, he decided he wanted to be a performer no matter what. Aside from his original recordings, Gregory has recorded and performed with many guitarists, piano players, and other vocalists such as John Autin of New Orleans, LA Craig Wallace of Dallas, TX Gary King of New Orleans, LA and even some corporations wanting Queen tunes specialized with different lyrics. His first Queen Tribute (Queen For A Day) was started in Dallas, TX in 2001 by Brian Harris, an outstanding guitarist with a long list of credentials to his name. Gregory, having a cousin living in Los Angeles, introduced him to Queen Nation in 2007 and created an extra push in his musical endeavors, which is now the top performing Queen Tribute in North America. Gregory’s taste in vocalists, artists, and groups include Stevie Wonder, Police, Tony Bennett, Carly Simon, Ronnie James Dio, James Taylor, Yes, Cab Calloway, Rod Stewart, Paul McCartney, Chrissie Hynde, Gene Krupa, David Bowie, Beatles, Frank Sinatra, The Rolling Stones, CSNY, Badfinger, The Cars, Eric Johnson, Carole King, and the list goes on. His other professions and hobbies include custom gardening, Depression glass, fishing the bayous, gourmet cooking, wines, nature and artistic photography, antiques, yoga, and strolling the farmer’s markets.
	PARKER COMBS – BASS Parker Combs, longtime Queen fan, started playing standup bass at 12 years old. After spending the next five years playing in school orchestras and spending summers honing his craft at Interlochen Performing Arts Academy in Michigan he graduated to the electric bass. He has spent the last 18 years playing original and cover music in a variety of rock, funk and country bands. “Playing with Queen Nation has allowed me to use my classical and rock background to truly appreciate John Deacon’s Musicianship and re-discover the music and history of Queen.
	PETER BURKE – DRUMS / VOCALS Peter Burke has been active in the LA music scene since the mid-90s. Originally inspired by classic rock bands like AC/DC, Aerosmith, and Led Zeppelin, the first album he ever bought was Queen’s “The Game”. In college he developed a love for jazz and classical music, performing throughout Europe with the CSUN Symphony Orchestra and statewide with renowned Jazz “A” Band. He earned Bachelor of Music Degree in Percussion Performance from Cal. St. Northridge in 2000. Peter began his professional career playing with the band 10 Speed, signed to A&M Records. They released their debut album internationally in 1998, and embarked on a coinciding tour of the U.S. and Europe. Throughout the first decade of the new millennium, he worked several platinum-selling recording artists including Wilson Phillips, Tiffany, and the BulletBoys. Highlights included appearances on TV shows “The Tonight Show with Jay Leno”, “Good Morning America”, and “On Air with Ryan Seacrest” with Wilson Phillips in support of their Columbia release “California” in 2004, and 2 albums recorded with the BulletBoys [“Sophie” with the help of legendary producer Andy Johns (Led Zeppelin, Rolling Stones), and “Live: Behind the Orange Curtain”]. Also highly regarded as a studio drummer, many of his recordings have appeared in major motion pictures and TV shows. Songs from the 2006 debut album of the band “The Skies of America” with famed producer Sylvia Massey Shivy (Chili Peppers, Tool, Smashing Pumpkins) have appeared in movies “The Bridge to Terabithia”(Disney), National Lampoon’s Van Wilder II, and “Eulogy” (Myriad Pictures). He’s also recorded with Joseph Arthur (for “One Hour Photo”, with Robin Williams), and Paperback Hero, who have had songs placed in TV shows “Friday Night Lights”(NBC), “Shark”(CBS), and “Felicity”(WB). Paperback Hero recently finished up its new Full length album, entitled “Cautionary Tale” with producer Jay Ruston (The Donnas, Steel Panther, Army of Freshman) for a 2010 release. Paperback Hero also recently won the KYSR – 98.7 FM (Clear Channel/Los Angeles) “Rock Star 3” competition – among the prizes was $25,000, and a performance at the opening of the new Grammy Museum @ LA Live on the Nokia Plaza to a crowd of more than 3000 fans. As a performer in tribute bands, you can catch Peter playing drums with Queen Nation (Queen), The Who Revue (The Who), and Holy Diver (Dio). Also, he currently plays vibraphone in Shades of Jade: A Tribute to Cal Tjader.

Doors 6:30PM | Opening Act 7:30PM | Headliner 9PM

$15 | $25 | $35 +applicable fees

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to Queen Nation! 

Bone Thugs-n-Harmony is an American hip hop band from Cleveland, Ohio formed in 1991. The group originally consisted of rappers Layzie Bone, Flesh-n-Bone, Bizzy Bone, Krayzie Bone, and Wish Bone.

Rapper Eazy-E of the group N.W.A signed Bone Thugs-n-Harmony to Ruthless Records in late 1993, when Bone Thugs debuted with EP Creepin on ah Come Up. The EP included the hit single “Thuggish Ruggish Bone.”

In 1995, the group released its second album, E. 1999 Eternal, which included hits “1st of tha Month” and “Tha Crossroads.” A tribute to the recently deceased Eazy-E, “Tha Crossroads,” won a GRAMMY award in 1997. The Art of War, the group’s third album, was also released in 1997.

Bone Thugs is also the only group that has worked with deceased artists 2Pac, The Notorious B.I.G., Eazy-E & Big Pun while they were still alive. The editors of About.com ranked them #12 on their list of the “25 Best Rap Groups of All Time,” and MTV called them “the most melodic hip-hop group of all time.”

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$38 | $50  + applicable fees.

Tables are available for reservation. Call the box office for more information.

  Click Here To Buy Tickets To See BONE THUGS-N-HARMONY! 

AEROMYTH IS THE ULTIMATE TRIBUTE TO AEROSMITH!

AEROMYTH has toured all over the USA and internationally for the last 12 years. Aeromyth has been featured on the morning show, Regis & Kelly on ABC 7, The Tonight Show with Jay Leno and a performance on Good Day LA Channel 11 Los Angeles morning show. They have performed at Summerfest in Milwaukee to 10,000 people, the last Jack FM, Arrowfest at the Verizon Wireless Amphitheater, The 95.5 KLOS Mark & Brian Poker Tournament, numerous Las Vegas shows including performances.

AEROMYTH has been a headlining act for 3 consecutive years on Fremont Street in Las Vegas on the Golden Nugget Casino stage, 2008, 2009 & 2010 with record attendance of 30,000 plus people. The band has performed worldwide, including Las Vegas, Palm Springs, Honduras, The Dominican Republic, Puerto Rico, Monterrey, Mexico at Festivals, Motorcycle Rallys, Casinos, Corporate Events and much more! This band is considered the best Aerosmith Tribute around the globe!

In 2011 Aeromyth was featured on the front page of the Orange County Register after their performance at the OC Fair!

Not only does AEROMYTH have an amazing Steven Tyler impersonator, but all band members really look and sound like the Aerosmith band members they portray, plus we have an amazing Joe Perry look alike! All members, walk, talk, act, perform, and look like AEROSMITH.

At an Aeromyth performance at the Key Club in Hollywood, Dave Navarro was quoted as saying, “I thought I was hearing an Aerosmith Album!”

Performing all of their greatest hits, from classic songs such as “Walk This Way,” “Sweet Emotion,” and “Toys,” to more current hits like “Dude Looks Like A Lady,” “Jaded” and “Don’t Wanna Miss A Thing.”

In March 2010 AEROMYTH signed a contract for a pilot episode for a Reality TV show based on AEROMYTH and the lives of its members as well as everything that goes on behind the scenes!

They played the 2009 Sturgis Motorcycle Rally at the same time and right down the street from the famous Aerosmith performance when Steven Tyler fell of the stage! AEROMYTH has played many events over the years such as Summerfest in Milwaukee, WI, The Blackgold Motorcycle Rally, The Runammucca Motorcycle Rally, Ottawa Riverfest in Ottawa, IL, with attendance in the 5000 plus range, the last FM 97.1 Arrowfest at the Verizon Wireless Amphitheater to a sold out show of 15,000 plus, along with National Acts, BOSTON, REO SPEED WAGON, STYX, 38 SPECIAL, EDGAR WINTER, AND STEPPEN WOLF and much more. Too many great shows to list!

AEROMYTH consists of some very experienced musicians. All members are professionals with many years of studio and stage experience. This band is reliable in all aspects! You can count on AEROMYTH to bring you the very best of Aerosmith!

This band was created with the utmost love, respect and admiration for the most powerful band of the 70’s, 80’s, 90’s now and into the future. AEROSMITH!

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$15 | $25 | $35+ applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to See Aeromyth: Tribute to Aerosmith Here! 

ACE FREHLEY

Original lead guitarist, occasional lead vocalist and co-founding member of the rock band Kiss.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$45| $60 | $75 + applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to ACE FREHLEY Here! 

From early days growing up in the southeast Los Angeles suburb of Downey, California under the tutelage of T-Bone Walker and Big Joe Turner to their emergence as central figures in the eclectic LA punk/rock scene of the early ‘80s to their current status as internationally-renowned influences in their own right, the Blasters have spent their lives exploring and expressing the deep and diverse musical legacy that is best described by the title of their first album: American Music.

A performance by today’s Blasters––vocalist-guitarist Phil Alvin, drummer Bill Bateman, bassist John Bazz, and guitarist Keith Wyatt––reflects influences that range from George Jones and Carl Perkins to Howlin’ Wolf, James Brown and Bo Diddley. The band’s 1980 debut album American Music (Rollin’ Rock) was a powerful collection of fresh, distinctive performances that shattered the artificial boundaries between blues, rockabilly, country, R&B and rock & roll. The next three albums for Slash/Warner Bros. (The Blasters, Non-Fiction, and Hard Line) increasingly featured the unique songwriting voice of original guitarist Dave Alvin as the band’s lineup expanded to include pianist Gene Taylor plus saxophonists Steve Berlin and New Orleans legend Lee Allen (“the man who put a saxophone in rock & roll”). As the Blasters’ fame grew, they began to draw accolades from artists as diverse as Bruce Springsteen, Eric Clapton and Queen, and in turn the band encouraged and supported still up-and-coming LA musical peers such as Dwight Yoakum and Los Lobos

In 1986, Dave Alvin left the band to pursue a solo career, and over the next decade a series of renowned guitarists including Billy Zoom, Michael “Hollywood Fats” Mann, Greg “Smokey” Hormel, and James Intveld filled the position. Phil Alvin simultaneously expanded his own musical efforts with the release of two acclaimed solo albums, Unsung Stories(Slash/Warner) in 1986 and County Fair 2000 (Hightone) in 1994.

In 1996, current guitarist Keith Wyatt joined the lineup and the Blasters continued touring steadily in the US and Europe before returning to the studio in 2004 to record 4-11-44 (Rainman). After the departure of drummer Jerry Angel, the band reunited with original member Bill Bateman and subsequently released their 2012 CD Fun on Saturday Night (Rip Cat).  Meanwhile, the Blasters’ catalog was renewed with reissues of American Music along with two Slash/Warner compilations (Testament and The Blasters Collection) and the live recordings Trouble Bound and Going Home Live (Shout Factory).

Blasters shows have been described as “a cross between Creedence and the Clash,” with a display of passion and energy only deepened by decades of experience. For all of the ways in which the world has changed in the past few decades, one thing is still guaranteed: the Blasters play American Music.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$20 + applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to See The Blasters Here!