Shows & Tickets

The Atomic Punks are a tribute to early Van Halen, the David Lee Roth era. Formed in 1994, the Atomic Punks have performed well over 300 shows in places like Hollywood, CA, San Diego, CA, Las Vegas, NV, Phoenix, AZ, Scottsdale, AZ, Seattle, WA, Denver, CO, Honolulu, HI, Andover, MN, St. Louis, MO, Pittsburgh, PA, most recently Salt Lake City, UT, and most importantly, Pasadena, CA, where Van Halen started their meteoric rise to stardom.

Voted “Best Tribute Band” by LA’s “Rock City News” three years in a row, the Atomic Punks have created a national following that continues to grow by leaps and bounds all the time.

In his 1997 auto-biography “Crazy from the Heat,” former Van Halen frontman David Lee Roth referred to the Atomic Punks as “The best tribute to Van Halen ever!” Dave cemented his admiration and appreciation for the Punks’ talents by hiring original axeman Bart Walsh to play guitar on his “DLR Band” tours from 1999-2001. Bart’s replacement, Brian Young, recreated Eddie Van Halen’s sound and furious guitar playing so precisely, that Dave again looked to the Punks, and took the guitarist out on the road in 2002 for his national tour with fellow ex-Van Halen frontman, Sammy Hagar.

Van Halen bassist Michael Anthony performed a set with the Atomic Punks in Pasadena, CA, and said “I feel like I am back in 1982 performing with the old band!” Anthony added, “The Atomic Punks rock!” Anthony recently joined the band again on stage, at the House of Blues in Anaheim, CA on January 31, 2003. He played nine Van Halen classics with the band including, “Runnin’ With The Devil,” “Hot For Teacher,” “Somebody Get Me A Doctor,” “Light Up The Sky,” “You Really Got Me,” “Panama,” “Bottoms Up!,” “Mean Street,” and “On Fire.”

Nationally syndicated radio host Howard Stern stated on his show, “The Atomic Punks become Van Halen. It’s the total experience, they do Van Halen better than Van Halen themselves!”

Current guitarist Lance Turner is a top L.A. session player who has also toured and recorded with Giant recording artist P.O.L. and Drive Thru records recording artist Cousin Oliver. He recreates Eddie Van Halen’s classic guitar sound, playing every riff and solo with as much energy and technique as Edward himself, while capturing all of the enthusiasm and flash of Ed’s engaging live personality.

Original Punks members, Joe Lester (bass), and Scott Patterson (drums), make up a very formidable rhythm section, providing the same rock-solid foundation and pulse for Lance Turner and Brian Geller as Van Halen’s own Michael Anthony and Alex Van Halen did for Eddie and Dave. Joe and Scott also help add all the signature backing vocals to the early Van Halen masterpieces they play.

The Atomic Punks Official Web Site at theatomicpunks.com continues to grow and gets hits from all over the world, and was recently completely redesigned and relaunched, under new management.

There is one important point the band always makes clear at their shows. The Atomic Punks don’t think they are Van Halen, they simply love to play old Van Halen and it shows in their amazingly realistic, power-packed stage show. No Van Halen tribute band captures the note for note performance and feel of an old show like the Atomic Punks. If you love vintage Van Halen, and wish you could experience and relive the energy the “Mighty” VH created with “Diamond” Dave behind the mic, you do not want to miss the Atomic Punks. They are the ultimate tribute to early Van Halen!

Doors 6:30 PM | Show at 7:30 PM

$15 | $20 | $25 + applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to ATOMIC PUNKS Here! 

“Some people are impressionists. These guys leave an impression”.  Says Bill Miller, owner of Johnny Cash.com about Cash’d Out (Douglas Benson vocals, George Bernardo drums, John Heussenstamm guitar, Nate Lefranchi bass), a San Diego based band that channels Johnny Cash in about as close a manner to the real thing as it gets.

After thirteen years, traveling hundreds of thousands of miles on the road and winning over as many fans, fans who still continually tell the group how grateful they are that Cash’d Out so rightously carries the torch of the Johnny Cash Show.

Besides music critics anointing Cash’d Out as “the next best thing to Johnny Cash”, their highlights have been many:

W.S. Holland, Johnny Cash’s longtime drummer, has sat in with Cash’d Out;  front man, Douglas Benson, has played Johnny’s cherry sunburst Guild guitar (courtesy of Mr. Miller);  “Cindy Cash came to a show and was moved to give me a glass locket that was her father’s,” explains Benson;  Longtime Johnny Cash manager Lou Robin has also been to several Cash’d Out shows and claimed that if he closed his eyes it was as if “going back in time.”;  And most recently, an unforgettable evening performing the music of Johnny Cash with the San Diego Symphony as a special event for their Summer Pops Series.

The band’s live shows respectfully reference the late, great Man in Black’s Sun Records and early Columbia era sound, combined with the energy of the classic multi-platinum live recordings from Folsom Prison and San Quentin. The group’s genuine love (and authentic recreation) of Johnny Cash’s music and its universal appeal fans of all ages and of virtually all musical genres makes each Cash’d Out show a must-see event.

Or as Bill Miller says, “Some people are impressionists. These guys leave an impression.”

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$15 | $25 | $35+ applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to See Cash’d Out Here! 

Doors 6:30PM | Opening Act 7:30PM

$10 + applicable fees

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For more than three decades as both a leader and a sideman, conguero Poncho Sanchez has stirred up a fiery stew of straightahead jazz, gritty soul music, and infectious melodies and rhythms from a variety of Latin American and South American sources. His influences are numerous, but among the more prominent figures that inform his music are two of the primary architects of Latin jazz – conga drummer and composer Chano Pozo and trumpeter Dizzy Gillespie. Sanchez pays tribute to these two titans on his new album, Chano y Dizzy!, his 25th recording as a bandleader on Concord Picante, set for release on September 27, 2011. For the first time, Sanchez and Francisco Torres, long time band member (trombone/vocals), join forces to produce the new album.

Joining Sanchez on the 11-song set is multi-GRAMMY winning trumpeter Terence Blanchard. It makes sense that, for this project, Sanchez recruited fellow label mate Blanchard, a New Orleans native who literally grew up amid the Cuban and Latin jazz scene and a longtime fan of the music’s multicultural underpinnings. Blanchard has established himself as one of the most innovative and influential jazz musicians and film score masters of his generation. As a film composer, Blanchard has more than 50 feature film scores to his credit. Currently at work on the score for George Lucas’s long-awaited upcoming movie, “Red Tails,” the Golden Globe nominee and four-time Grammy winner’s music was recently featured on Broadway in Chris Rock’s Tony-nominated play, “The Mother****** With Hat.” Blanchard is currently at work on the music for the Broadway remake of A Streetcar Named Desire and has also been commissioned by the Opera St. Louis for a project that will premiere in 2012. His latest CD, Choices, was released by Concord Jazz in 2009 to widespread critical acclaim.

“These two musicians were the pioneers of what is now known as Latin jazz,” says Sanchez. “Chano Pozo was a genius. He’s considered the godfather of conga drummers, and he’s someone whom I respect a great deal. And of course, Dizzy Gillespie was an iconic artist in American jazz. I had the honor and pleasure of working with him on several occasions. These guys were the first musicians to bring elements of Latin music to American jazz – which has resulted in some of the greatest music of the last 50 or 60 years. I felt that it was time to pay tribute to them and their accomplishments.”

While the album includes songs originally written and performed by the two legends, it also showcases compositions crafted by other writers that capture the flavor of traditional Latin jazz. Sanchez’s touring band assists with the songwriting and arranging. The studio ranks include: pianist David Torres, saxophonist Rob Hardt, trumpeter Ron Blake, trombonist/vocalist Francisco Torres, bassist Tony Banda, timbalist George Ortiz, and percussionist Joey De Leon, Jr.

“The great thing about this band is that they take a very traditional approach to Latin music,’ says Blanchard. “They pay a lot of attention to the detail of the specific rhythms they’re playing, and they understand the historical significance of keeping that heritage alive.”

Although born in Laredo, Texas, in 1951 to a large Mexican-American family, Sanchez grew up in a suburb of L.A., where he was raised on an unusual cross section of sounds that included straightahead jazz, Latin jazz and American soul. By his teen years, his musical consciousness had been solidified by the likes of John Coltrane, Miles Davis, Cal Tjader, Mongo Santamaria, Wilson Pickett and James Brown. Along the way, he taught himself to play guitar, flute, drums and timbales, but eventually settled on the congas.

At 24, after working his way around the local club scene for several years, he landed a permanent spot in Cal Tjader’s band in 1975. “I learned a great deal from Cal,” says Sanchez, “but it wasn’t as though he sat me down and taught me lessons like a schoolteacher. Mostly it was just a matter of being around such a great guy. It was the way he conducted himself, the way he talked to people, the way he presented himself onstage. He was very elegant, very dignified, and when he played, he played beautifully. The touch that he had on the vibes – nobody has that sound. To me, he was – and is, and always will be – the world’s greatest vibe player.”

Sanchez remained with Tjader until the bandleader’s death in 1982. That same year, he signed with Concord for the release of Sonando, an album that marked the beginning of a musical partnership that has spanned more than 25 years and has yielded more than two dozen recordings. Chano y Dizzy! is the latest installment in that ongoing partnership.

Sanchez, Blanchard and company set the tone early with an opening medley of lively Pozo tunes: “Tin Tin Deo,” “Manteca” and “Guachi Guaro.” Blanchard delivers down some sultry trumpet lines over Sanchez’s percussion and vocals, while the rest of the band lays down a solid and spicy rhythmic bed throughout.

The followup track is a simmering rendition of Dizzy’s “Con Alma,” with numerous tempo changes that give Blanchard room to flex his muscles in varying rhythmic contexts within a single song.

Further in, “Siboney” is an old Cuban song by Ernesto Lecuona that’s consistent enough with the overall vibe of the record to make the cut. “Ron Bake called me and said, ‘Poncho, I’ve always liked this tune, but Chano didn’t write it and neither did Dizzy.’ I said, ‘It’s alright. It fits. It’ll be fine.’ I’ve always liked the tune myself, so I was glad that we finally got a chance to record it. I think it complements the artists and the period we’re paying tribute to.”

The light-hearted “Groovin’ High” is a Gillespie composition originally conceived as a swing tune, but Sanchez and company rearranged it here to fit more of a mambo vibe. The funky “Harris’s Walk,” another song penned by Blake, was written in the style of Eddie Harris, “but I liked it so much at rehearsal that I said, ‘We gotta put this on the record,'” says Sanchez.

“Jack’s Dilemma,” written by Francisco Torres, came together on the fly with a stripped down rhythm section consisting of Sanchez on conga and Joey De Leon on trap drums. “There are no timbales, no bongos,” says Sanchez. “The engineers in the studio sort of slapped together a drum set. Joey tuned them the way he wanted, and man, ten minutes later we were recording. In the end, I think it sounded great.”

The album ends just as it starts, with a staccato and highly rhythmic Pozo tune called “Ariñañara.” Recorded by several artists through the years, the song is what Sanchez calls “straight-up hardcore salsa music.” It serves close to a recording that celebrates some of the most innovative music to emerge from the 20th century.

“To me, Latin jazz is the world’s greatest music,” says Sanchez. “It has the melodic and harmonic sophistication of jazz and American standards, and the flavor and energy of Latin American music. What I’m most proud of is that this music – while it may sound exotic at times – is from America. It was born in New York City, when Chano Pozo met Dizzy Gillespie for the first time in the mid-1940s. They created something that didn’t exist before in this country. I’m very proud to take this music all over the world all the time.”

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$25 | $35 | $45 + applicable fees.

Tables are available for reservation. Call the box office for more information.

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The Petty Breakers are the nation’s premier “Tom Petty and the Heartbreakers” tribute act.  The Petty Breakers accurately recreate the sights, sounds and concert experience of a Tom Petty concert. All the classics… American Girl…Break Down… Free Fallin’… Mary Jane’s Last Dance…Refugee… Runnin’ Down a Dream… and so many more… are perfectly reproduced. Playing to packed houses all over the U.S., the band is comprised of excellent musicians who have performed and recorded with international artists  and recorded with bands like THE REMBRANDTS and THE GIN BLOSSOMS.. The PettyBreakers were chosen to perform on AXS TV’s “The World’s Greatest Tribute Bands,” honoring the music of this legendary American icon.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$18 | $28 | $38 + applicable fees.

Tables are available for reservation. Call the box office for more information.

Buy Tickets to The PettyBreakers Here!

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$20+ applicable fees.

Tables are available for reservation. Call the box office for more information.

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About Eli V

Hailing from San Dimas, California, Eli V is no stranger to the local Country Music scene and has been taking #CaliforniaCountry by storm with 3 Nominations in the 2017 California Country Awards for: Music Video of the Year, Song of the Year and Entertainer of the Year. Mimicking the techniques and guitar stylings of his favorites like Andy Gibson, Vince Gill, and Keith Urban, he has earned his nickname as Country Music’s, “California Kid.” He gave us a taste of his sound in 2014 after releasing two original songs; Write This Song and Guess Again and has shared the stage with Country artists: Meghan Linsey (Steel Magnolia), Frankie Ballard, LoCash, Josh Abbott Band, Carly Pearce, Eli Young Band, Jana Kramer, Diamond Rio, Easton Corbin, Cassadee Pope, Colt Ford, Thompson Square, Josh Turner, LANCO and many more. Catch Eli V in a town near you alongside his highly anticipated new single, “Closer,” and his upcoming “Closer Project” release.

Doors 6:30PM | Opening Act 7:30PM

$10 + applicable fees.

Tables are available for reservation. Call the box office for more information.

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Jefferson Starship

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$35 | $45 | $55 + applicable fees

Tables are available for reservation. Call the box office for more information.

Buy Your Jefferson Starship Tickets Here!

$20 / $30 / $40 + applicable fees.

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HINDER

Multi-platinum American rockers, HINDER, continue to drive a career of longevity that few bands achieve. Their stats resonate just that, selling over 4 million albums and 10 million singles, garnering north of 150 million video views, and passing the 100 million streams mark. Throw on top the endless energy HINDER has brought to over 15 headlining tours and you can see why they are still rocking.

August 11th of 2017 brought another career highlight. The release of their 6th Studio album, coincidently titled THE REIGN, on The End Records/BMG. This would be their 3rd release with the New York based record label, preceded by HINDER’s first ever acoustic EP STRIPPED on May 13, 2016. Their 5th full-length studio album When The Smoke Clears entered the Billboard 200 while also claiming four other Top 10 chart positions upon its on May 12, 2015.

As one of the few rock bands to grab massive cross-over success, HINDER’s 2005 debut album, Extreme Behavior, climbed to #6 on the Billboard 200 chart and was the 2nd Top Rock Album. Get Stoned would be the album’s first radio single, climbing to a #4 mainstream rock spot. What followed would end up being one of the biggest songs of the year, Lips of an Angel, which peaked within the top 10 across several Billboard singles charts, including #1 at Top 40 and Pop 100. Extreme Behavior has since been certified 3x Platinum.

In 2008 their sophomore effort, Take It To The Limit, surpassed their debut by peaking at #4 on the Billboard 200 and hitting the Mainstream Rock chart at #3 with single Use Me. This solidified HINDER as the biggest new breakout rock act and catapulting them into packed arenas worldwide with the likes of Aerosmith, Mötley Crüe, Nickelback, 3 Doors Down, Papa Roach, and many others. HINDER proved consistent record hit making by following up with a #1 Top Modern Rock/Alternative Album, All American Nightmare (LP 3), and a #3 Top Hard Rock Album, Welcome To The Freakshow (LP 5).

$20 | $30 | $40 + applicable fees.

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Ted Nugent has carved a permanent place in rock & roll history as the ultimate guitar-shredding showman, selling more than 40 million albums, performing over 6,500high-octane live shows,and continuing to set attendance records at venues around the globe.

Nugent was named Detroit’s Greatest Guitar Player of All Time by readers of MLive,and hisno-holds-barred career spans five decades of multi-platinum hits. From the ground breaking Amboy Dukes’ hit “Journey to the Center of the Mind,” to classics like “Stranglehold” (ranked in the Top 100 Classic Rock Songs and #1 Guitar Lick), “Cat Scratch Fever,” (32nd Best Hard Rock Song of All Time) Damn Yankees chartbuster “High Enough,” and cult classic “Fred Bear,” (the most requested song for radio airplay in Michigan & Wisconsin), Ted and his inimitable sound have been featured on VH1’s Behind the Music, A & E’s Biography and more.

For millions of passionate music lovers everywhere, Ted delivers the Ultimate Life Soundtrack. A Ted Nugent show is not just a performance—it’s a firebreathing celebration!

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$85 | $100 | $120+ applicable taxes & fees

Tables are available for reservation. Call the box office for more information.

BUY TICKETS TO SEE TED NUGENT HERE!

Catch 40 oz. to Freedom live & in concert during their Current Tour. Enjoy a professional tribute to Sublime with the greatest hits from now & then.

40 Oz to Freedom won the 2010 San Diego Music Award for Best Tribute and has toured the entire US and Canada, developing one of the largest tribute band followings in the world. 40 oz. to Freedom is true to the So-Cal vibe with thumping bass lines, rad beats, and shredding guitar riffs topped off with soul quenching vocals.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$13 / $18 / $28 + applicable fees.

Tables are available for reservation. Call the box office for more information.

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~ About She Wants Revenge ~

San Fernando Valley natives, She Wants Revenge will be stopping by The Cave! The group, who’s debut album “She Wants Revenge” brought you incredible singles such as “These Things,” Out of Control” and “tear you Apart.”

This talented group has had an incredible run with over 300,000 albums sold and featured on multiple TV shows and movies like Fringe, The number 23 starring Jim Carrey as well as American Horror Story.

Some simply say the group sounds like Winter and feels like a first kiss…

Doors 6:30 PM | Opening Act 7:30 PM | Headlining Act 9 PM

$25 / $35 / $45 + applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to She Wants Revenge Here! 

One Drop based in San Diego, California embraces the spirit of classic Roots Reggae and Dub music with a calculated blend of R&B, Pop and Rock subtleties. Inspired by artists like Steel Pulse, Gregory Isaacs and The Police. One Drop’s music is infectious and well received by a wide range of age and cultural demographics. Critics describe their sound as genuine and captivating, filled with melodic choruses, refreshing vintage guitar/organ tones all cleverly layered over seductive bass lines. The voice of One Drop is soulfully delivered with brutally honest lyrics rooted from true-life experiences of love and social & political taboos.

On October 10th, 2016, One Drop released the hit single “Don’t Make Me Wait” from their highly anticipated 3rd full length album, schedule to release in 2017. A follow up from their sophomore album “Black Book Diaries” featuring guest performances from a former English Beat and a cover of Men at Work’s 80’s hit “Down Under“. The album debuted at #2 on ITunes Reggae Charts and landed in The Billboards top 10 in reggae albums.

With great song writing and musical arrangements executed with retro equipment and out-board effects from 1970’s, One Drop exceeded fans high expectations. A tremendous amount of attention and detail went into this album, which features 16 new songs.

The inception of One Drop (a name describing a traditional reggae drum beat popularized by Carlton Barrett of The Wailers) began over a decade ago when introductions were made in a San Diego college music class. The band began to gig aggressively in 2006 and fans got their first taste of recordings in 2007 with the release of their self-titled EP. By 2008 they had developed a huge regional following and in May that same year released their acclaimed debut CD “Mission Blvd” which yielded hit songs “Little Black Dress”, “She’s Gone” and “No Good Reason”. Nominated by San Diego Music Awards for “Best Local Recording”, this pivotal CD has launched One Drop onto an international stage with impressive worldwide sales and downloads. To this day “Mission Blvd” continues to rank high on iTunes reggae charts in the U.S., Canada, Greece, Mexico, Norway, Spain, and Switzerland.

With the reputation as a “must see act”, the band packs venues and performs live shows with high energy, playfully engaging the audience into dance and sing-alongs. One Drop has toured heavily in the U.S. and Internationally (Ecuador, Mexico and Guam) at times sharing the stage with artists such as, Steel Pulse, Ben Harper, The English Beat, G Love, The Dirty Heads, Slightly Stoopid, Soja, Rebelution, Iration, Tribal Seeds and more while receiving support and corporate interest from companies like Perfect Bar, Hurley and Reef apparel.

James Alger – Lead Vocals/Guitar/Melodica
Anders Pellmark – Lead Guitar/Vocals
Jehua Evans – Bass/Vocals
Mark Cutkomp – Drums
Alex Somerville – Keys/Organ/Piano
Josh Baca – Saxophone

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$15 + applicable fees

Tables are available for reservation. Call the box office for more information.

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Yachtley Crew is a Los Angeles area based band of talented and tenured musicians with a common set of goals: to entertain music lovers with some of the greatest songs ever written back in the late 70’s and early 80’s, and to have as much fun as possible while performing those hits. Some fans may know it as “soft rock”, others may identify it as “yacht rock”, a more recently coined phrase. One thing is for sure, Yachtley Crew takes their sound very seriously. “They pay tribute to the songs by nailing the performances, but also blow the crowds away with their live presence, group banter and on-stage antics”, said one scribe…

Be sure not to miss this first-class tribute coming soon to a venue, club or yacht cruise near you!

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$15 | $25 | $35 + applicable fees.

Tables are available for reservation. Call the box office for more information.

  Click Here To Buy Tickets To See Yachtley Crew! 

For over 30 years, The Fabulous Thunderbirds have been the quintessential American band. The group’s distinctive and powerful sound, influenced by a diversity of musical styles, manifested itself into a unique musical hybrid via such barnburners as “Tuff Enuff” and “Wrap It Up”. Co-founder Kim Wilson, the sole original member, still spearheads the group as it evolves into its newest incarnation.

“We started as a straight blues band”, vocalist and harmonica player Wilson says. “We now incorporate a mixture of a lot of different styles. We’re an American music band and we’re much higher energy than we were before.”

In addition to Wilson, the current Thunderbirds line-up features Johnny Moeller on guitar, Steve Gomes on bass, Kevin Anker on keyboards, and Wes Watkins on drums.

“To be in the T-Birds, you need to understand the different styles of music and different ways of playing,” Wilson comments. “You have to be willing to adopt a more contemporary style. The guys we have now are able to do that.”

The band continues to tour extensively, in both the U.S. and Europe. Wilson is currently writing songs on his own, with band members and other writers.

“I’ve primarily been a solo songwriter, but I’m looking forward to experimenting with the guys in the band,” Wilson says.

The thread throughout the T-Birds career has been the respect the group commanded for its peerless musicianship and devotion to the sounds of blues, R & B and rock ‘n roll. In fact, Muddy Waters called Wilson his favorite harmonica player and vocalist. “Muddy Waters was very good to me,” Wilson says. “He almost adopted me. I’ll never forget him.”

For Kim Wilson, the musical journey started in Goleta, California. At 17 he began playing the harmonica. His influences included Little Walter, George “Harmonica” Smith, Lazy Lester and James Cotton. At the same time, Wilson began singing and was deeply impacted by Bobby “Blue” Bland, B.B. King, Otis Rush, Jimmy Rodgers and Muddy Waters. In search of other musicians who shared his love of the blues, Wilson headed to Minneapolis. He stayed there for a year and a half, playing locally, before moving to the burgeoning music scene of Austin, Texas. It was there that he met Jimmie Vaughan and they founded the T-Birds in 1974. The band developed a reputation as a compelling live act and subsequently signed a record deal with CBS/Epic Records.

In 1979, The Fabulous Thunderbirds released their first self-titled album. Primarily blues influenced, it became a cult classic. “Things were wide open back then,” Wilson recalls. “There were hundreds of stages where bands could show what they had.”

In subsequent releases, the band started to incorporate more Cajun, rock ‘n roll and soul influences. The album “T-Bird Rhythm” marked a creative turning point for the group as it collaborated with noted producer Nick Lowe. In 1986, The Fabulous Thunderbirds reached a commercial peak with the album, “Tuff Enuff”. The single of the same title as well as the singles “Wrap It Up” and “Look At That”, all went top 40. The song, “Tuff Enuff” was featured in the film “Gung Ho” starring Michael Keaton.

For the remainder of the ’80s, the band continued to record and tour, and released the album, “Powerful Stuff”. Jimmie Vaughn left in 1989 but Wilson kept the group going, incorporating keyboards into the guitar-driven sound. Kim moved back to California in 1996, continuing to cultivate the T-Birds music.

“The thing about the T-Birds is that we can play both blues festival and rock venues,” Wilson comments. “We’re a diversified band now and everybody’s on the same page.”

As a side project Wilson formed Kim Wilson’s Blues Revue, a traditional blues band. He also owns a blues label, Blue Collar Music, that has released three albums – one by Kim, one by “Big Al” Blake and one by Fred Kaplan. Wilson has also recorded and written with noted session guitarist Danny Kortchmar and drummer Steve Jordan and may tour with them at some point. However his current focus remains The Fabulous Thunderbirds. “This is a great time for this band,” he says. “We’re looking forward to the future.”

$29 | $39 | $49+ applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to THE FABULOUS THUNDERBIRDS Here! 

Having chalked up nearly fifty years at the peak of the music and entertainment industry, Justin Hayward’s voice has been heard the world over.  Known principally as the vocalist, lead guitarist and composer for the Moody Blues, his is an enduring talent that has helped to define the times in which he worked. Over the last forty-five years the band has sold fifty five million albums and received numerous awards. Commercial success has gone hand in hand with critical acclaim, The Moody Blues are renowned the world over as innovators and trail blazers who have influenced any number of fellow artists.  Justin is honoured with the Moody Blues on the Rock Walk Hall of Fame on Sunset Boulevard.

Born and brought up in Swindon in the UK, Justin’s interest in music started early when he was five years old and his grandfather bequeathed him his large collection of 78 rpm recordings. “It opened a world of imagination to me,” says Justin.  Having taught himself to play the ukulele, he soon progressed to guitar and by his early teens he was playing in local groups.  Upon leaving school at 17 he answered an advertisement in Melody Maker newspaper and successfully auditioned for UK Rock and Roll hero Marty Wilde. “I got the job playing guitar for Marty – it was a dream come true for me”. Justin credits Marty with encouraging him to become a songwriter; he made several recordings with Marty’s ‘Wilde Three’ and also appeared with them at the London Palladium.  They remain close friends to this day: “Marty is still my hero”.

Having started the ball rolling as a songwriter in his own right with a couple of solo singles, he joined the Moody Blues in the summer of 1966. Hitting his stride immediately with the single ‘Fly Me High’, he followed it up with the classic hit songs ‘Nights in White Satin’ and ‘Tuesday Afternoon’ from the seminal album ‘Days of Future Past’. This album went on to become a favourite of the NASA astronauts and was taken aboard the Atlantis shuttle space craft by Chief astronaut “Hoot” Gibson on many missions.

This purple patch showed no sign of abating as Justin created other classic, era and genre-defining hits ‘Question’, ‘The Voice’, ‘I Know You’re Out There Somewhere’ and ‘Your Wildest Dreams’.  These laid the foundation for the incredible success story of the Moody Blues – as well as his solo work – which continues to this day.

When the Moody Blues took a break from touring in 1975, Justin worked on the Blue Jays album, followed by the hit single ‘Blue Guitar’ (recorded with the members of 10cc). Although the Moodies continued to record and tour at the highest level, Justin also found time to create several solo albums: ‘Songwriter’, ‘Night Flight’, ‘Moving Mountains’ and ‘The View From the Hill’.

Proving that he could write massive hits outside of the Moody Blues, Justin hit the Top Ten globally in 1978 with ‘Forever Autumn’ – created for Jeff Wayne’s ‘War of the Worlds’ album.  Becoming, even for a writer of his stature, a signature song, this was the spur to him taking to the stage – for five years, from 2005 – 2010, and starring in the spectacular live stadium production.

In the 1980s he was made a member of the famous ‘SODS’  (The Society of Distinguished Songwriters) and in 2012 he was elected ‘King SOD’.  He also collaborated in 1989 with Mike Batt and the London Philharmonic Orchestra and recorded the album ‘Classic Blue’.

In March 1997 Justin was chosen as the subject for the TV show ‘This Is Your Life’ in the presence of many of his friends including Marty Wilde, Lionel Bart and astronaut “Hoot” Gibson.

In 2005 he was presented with ‘The Golden Note’ award from ASCAP, the top honour for a British writer, and he has appeared in Nashville regularly with other songwriters in showcase events. In 2013 The Performing Rights Society in the UK awarded him his second Ivor Novello statue for ‘Outstanding Achievement’.

Whilst releasing solo albums and DVDs and working on many different projects, including new solo recordings, Justin continues to tour with the Moody Blues all across the world. Justin records in Italy and France of which he says, “Spending time making music in a beautiful place with your friends is every songwriter’s dream”. His latest album of new songs ‘Spirits Of The Western Sky’ – for Eagle Rock – was followed by several solo tours, and most recently a ‘live in concert’ DVD ‘Spirits…Live’, which reached No1 on the Billboard Video chart. “My acoustic solo tours give the perfect balance to the big production of the Moody Blues concerts. I’m so lucky to have both”. His live solo show is currently being shown all over the USA on PBS TV.

He is consistently touring the globe with The Moody Blues, and as a solo artist – accompanied by Julie Ragins, and Mike Dawes, one of a new generation of young exceptional and gifted guitar players.

“I have spent most of my life, so far, on the road”, says Justin. “Playing live and creating a small piece of magic in a room is like a drug to me, one that I never want to give up”. His is a talent that has helped soundtrack more than a generation and created a legacy that remains undimmed.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$50 | $60 | $70 + applicable fees.

Tables are available for reservation. Call the box office for more information.

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About Cubensis

Since 1987, Los Angeles-based band Cubensis has carried the torch in celebration of one of America’s most beloved touring bands, the Grateful Dead. Cubensis sets out to re-create the Grateful Dead experience by emulating the spirit of Jerry Garcia, Bob Weir, Phil Lesh, and the rest of the legendary San Francisco jam band. Cubensis plays complete shows covering all eras of the Grateful Dead, and no night is ever the same. Cubensis is far more than just your standard cover band as they bring the magic and sounds to those longing for the live vibe that only the Grateful Dead was able to deliver. Cubensis performs its critically acclaimed live performance of Grateful Dead show recreations to audiences and venues all over the western United States. Giving homage in a continually evolving artistic outlet, the band recreates the Grateful Dead experience with compelling accuracy. Like the Dead, the band explores and searches out all the possibilities of the music. The group has been acclaimed for giving new life to the Grateful Dead’s material, bringing in new styles, new innovations, and new jam band enthusiasts, while at the same time remaining loyal to the original music and the original fans. With Cubensis, the band is more likely to go off and do a little exploration on its own terms, which is a more authentic experience than trying too hard to re-create something that was done a long time ago by people who invented it. Cubensis is drawing national attention with their true-to-life performances. LA Weekly recently raved, “Cubensis plays with the same laid-back mastery as the real McCoy.” Big Brother skateboard magazine says Cubensis is “the nation’s premiere Dead tribute” and the OC Weekly declared them “the hottest Grateful Dead tribute act going.” OC Register affirmed Cubensis was “the best place to channel Jerry Garcia” and AOL Citybeat stated, “Cubensis is renown for whipping its faithful crowd into a swirling, psychedelic mass for three hours straight.” Each night, Cubensis decides on performing songs from the hundreds that the Grateful Dead performed during their 35-year tenure as fathers of improvisational rock. As a chamber orchestra interprets Bach or Mozart, Cubensis presents a completely spontaneous set list, song by song, with uncanny faithful interpretation. Audience members encourage the band by calling out requests for favorite tunes. The band performed their 3000th show during their 2013 summer tour. The group has its craft so well refined that even members of the Grateful Dead themselves, such as keyboardists Vince Welnick and Tom Constanten, have appeared on stage and performed with these live music interpreters. Dead rhythm guitarist Bob Weir encouraged the band, saying, “Just love what you do…and of course, you do!” Cubensis dips into every incarnation of the Dead, so most fans can experience shows that happened long before they were born. All eras of the Dead and the Jerry Garcia Band are represented. As with the originators, improvisation is key, so every night’s performance is unique and memorable. In addition to regional touring with numerous sold out shows, Cubensis continues their commitment to community service every fall, when they perform a benefit show in partnership with the Rex Foundation, a non-profit, charitable organization established in 1983 by friends and members of the Grateful Dead, to further the organization’s philanthropic goals. Money raised at the benefit concert is contributed directly to the Rex Foundation, which provides grants to area community groups and non-profits. Currently, the band is touring extensively with some 100 dates per year spread across the southwest from San Francisco to Lake Tahoe, San Diego, Phoenix and Las Vegas. The last several years have seen them playing at medium to large sized theatres joined by special guests from the jamband scene such as Vince Welnick of the Dead, Chris Robinson and Marc Ford of the Black Crowes, Warren Haynes of Allman Brothers fame, Garcia collaborators David Nelson and Martin Fierro, and Barney Doyle of the Mickey Hart Band. The group has been invited back to the House of Blues in Hollywood, Anaheim and San Diego for over 50 engagements. Cubensis’s authenticity and popularity is possible because of the Dead’s fervent fans, called Deadheads, who followed the group from show to show, who have now latched on to Cubensis. Unlike most bands, the Dead allowed its fans to tape performances. The tapes have been archived, and a database called DeadBase lists the order of songs done at every show. Thus, the band’s appearances and performances are highly anticipated. The band doesn’t reproduce the Grateful Dead’s songs note for note—though it would be hard for most listeners to tell. The Dead’s music is highly improvisational, with rock, country and jazz influences. Cubensis members say there’s room for interpretation while staying true to the original. “It’s all about tapping into the same inspirational flow,” says Cubensis lead guitarist Craig Marshall. Dead guru Jerry Garcia once gave Marshall permission to recreate the Dead’s music, as long as he did a “good job” of it. “I told him we played all Grateful Dead songs,” recounts Marshall, to which Garcia replied, in mock surprise, “Oh yeah? So do we!” Even the press has caught on to what they’re trying to do. LA Times observed, “As the tribute to one of the ultimate jam bands, their set lists are as free and frollicky as the crowd.” Big Brother skateboard magazine did a feature piece on Cubensis in its January 2002 issue and various newspapers and online publications have consistently praised the band, and its mellow but fanatical following. In the end, what Cubensis does is not just a tribute to the Grateful Dead but also a testament to the enormous number of unique setlists they performed in their long career. Cubensis seizes the framework of the original music and sees how much further it can be taken.    

Doors 6:30 PM | Opening Act 7:30 PM | Headlining Act 9 PM $13 advance | $15 day of + applicable fees. Tables are available for reservation. Call the box office for more information.

  Buy Tickets to Cubensis Here! 

“A gritty, bluesy, (rocker) with enough genuine swagger to draw comparisons to Mick Jagger.”
– Rolling Stone Magazine

Best known as the singer-songwriter/ front man of the Philadelphia based blues- rock band Cinderella, Tom Keifer, is enjoying continued success and touring in support of his solo debut, The Way Life Goes.

Though he possesses all the fire and brimstone of Rock’s greatest front men, you would be hard pressed to find the versatility and dimension that Keifer brings to a stage.

Whether delivering heart wrenching ballads, such as Don’t Know What You Got ‘til It’s Gone, channeling the soul of the bluesmen of the past with his slide guitar and lap steel, or blowing sax on rockers like “Shelter Me”, Keifer is clearly one of the most unique singers and accomplished musicians in Rock and Roll. Combine that with his new band, Tony Higbee (Guitar/vocals), Billy Mercer (Bass/vocals), Kory Myers (Keyboards/Vocals), Jarred Pope, (Drums), Savannah Keifer (Vocals/percussion/Piano) and Kendra Chantelle (Vocals/percussion), and there is only one possible outcome- A high energy rock show combining all the classic hits of Cinderella with new favorites from The Way Life Goes that will only leave you wanting more.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$38 | $48 | $58 + applicable fees.

Tables are available for reservation. Call the box office for more information.

Buy Tickets to Cinderella’s Tom Keifer Here!

Black Flag was formed in 1976 in Hermosa Beach, CA by guitarist, primary songwriter, and sole continuous member Greg Ginn. The band’s discography includes seven studio albums and two live albums.

Black Flag has released all of their material on Ginn’s independent label, SST Records beginning with 1981’s Damaged. Vocalist, Mike Vallely, first sang with the band as a guest vocalist in 2003, before becoming Black Flag’s fifth vocalist and touring with the band in 2014.

The band is well-respected within the punk subculture, primarily for their tireless promotion of an autonomous DIY punk ethic and aesthetic. They are often regarded as pioneers in the movement of underground do-it-yourself record labels. Through constant touring throughout the United States and abroad, Black Flag has established a dedicated cult following.

Doors at 6:30, show at 7:30

$30+ applicable fees.

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  Buy Tickets to See Black Flag Here! 

~ About SCOTT STAPP ~

Doors 6:30PM | Opening Act 7:30PM | Headliner 9PM

$30 | $40 | $50 +applicable fees

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Plain White T’s is an American pop punk band from Lombard, Illinois, formed in 1997 by high school friends Tom Higgenson (Who wrote a song for a girl in a relationship to try to win her over, and make her leave her boyfriend to be with him), Dave Tirio, and Ken Fletcher. They were joined a short time later by Steve Mast. The group had a mostly underground following in Chicago basements, clubs and bars in its early years.

The band is best known in the USA for the number-one hit song “Hey There Delilah”, which achieved platinum status in 2007 and earned two Grammy nominations, as well as “1234” and “Rhythm of Love”, which were certified platinum in 2009 and 2011.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$28 | $38 | $48 + applicable fees.

Tables are available for reservation. Call the box office for more information.

Buy Tickets to Plain White T’s Here!

GARY PUCKETT has performed on more than thirty network television shows and prime time specials during his career, even adding a command performance for the President and Prince Charles at the White House. The Union Gap disbanded in the seventies. In 1974, “Young Girl” was reissued in England where it received a silver record award for attaining a top five position on the pop charts, several years after its initial release.

Gary continues to tour nationally & internationally, has a new album out now, “GARY PUCKETT – LIVE”, and has recently released his first ever Christmas CD, entitled “At Christmas”.

Gary currently resides in Clearwater, FL with his wife and family.

Did you know that…

In 1968 Gary Puckett and The Union Gap had six consecutive gold records and sold more records than any other recording act…including the Beatles.

They played a command performance at the White House for Prince Charles and Princess Anne by special invitation of the President.

Gary Puckett and The Union Gap was one of a very select group of touring acts to achieve prominence worldwide.

In 1971 Gary disbanded The Union Gap

In 1974 “Young Girl” was reissued by popular request in England where it reached number five and achieved a Silver Record Award for the second time. This is a full six years after the song was initially released.

The Gary Puckett and The Union Gap’s “Greatest Hits” album is one of CBS’ best selling “Collector Series” albums today.

In 1986 Gary was invited to tour with the Monkees on their national reunion tour, which established itself as a major hit of the 1986 touring season.

In 2001, Gary has released his latest CD, “In Europe”. Originally recorded in Europe, this CD has new versions of “Young Girl” and “Lady Willpower”,with a European flair.

In August 2001, Gary released his first ever Christmas CD, called “At Christmas”. This CD, available exclusively at GaryPuckettMusic.com, is a beautiful collection of traditional Christmas songs….Well worth the wait.

In March 2002, Gary released “Live”, a collection of hits recorded live and featuring the song ” Home “, dedicated to the men and women defending our country with their lives.

Doors 6:30PM | Opening Act 7:30PM | Headliner 9PM

$30 | $40 | $50 +applicable fees

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  Buy Tickets to Gary Puckett & The Union Gap Here! 

~About Geoff Tate ~

When most musicians record solo albums, it’s because they need an outlet for material that doesn’t fit the scope of their band. That wasn’t the case with Geoff Tate. While there’s very little on his solo debut that couldn’t fit within the ever-evolving musical scope of Queensrÿche, the difference for the vocalist lies in the expression of those songs, and how they actually came to fruition.

“The problem when you’re in a creative environment is keeping things fresh and invigorating, and after working with the same people for twenty years, it gets very difficult—You walk into the room, and everybody knows what everybody is going to do,” explains the frontman. “There’s no spark of new blood, the chemistry is very tried and true, and you just keep coming up with the same ways of expressing yourself. What’s nice about doing a side project with new people, is that it’s a whole new breed, and a bunch of new ideas, musical backgrounds, emotional baggage, and whatever else it takes to create. It’s a whole new set of parameters, so it’s all new, everyone has ideas you haven’t heard before, and everyone is throwing them against the wall. It takes on a whole new life.”

For Tate, that “whole new life” is a vibrant tapestry of human emotion and expression, the culmination being his eponymous 11-track offering on Sanctuary Records. “The songs are all about the strongest passion of life, which is love. It’s all about the feelings that you have for somebody, how relationships work and don’t work, the misunderstandings, and all that it takes to keep a relationship working. That said, it’s also about stepping out on you’re own and trying new stuff, and not being afraid to take that big step. That makes it kind of autobiographical, because I’m taking that step, moving out from where I’ve been and stepping into other areas, and that’s important for people to do.”

“Ask me what I believe in, I’ll say compromise…” rings the opening line of the album’s first track, and in those vulnerable depths of “Flood” the mood is set. The music swirls in a textured wash of soothing guitar tones and gently cascading rhythms, and Tate’s vocals shower the proceedings like the most welcome of spring rains, his words glistening like a morning dew. Fans of Queensrÿche will revel in the familiar, soothing warmth of one of music’s most pure voices, while new fans will find themselves lost somewhere between the melancholy of “Forever” and the hopeful effervescence of “This Moment.” Co-songwriter Scott Moughton paves a tantalizing trail of Spanish-flavored guitars into “Helpless,” a piano lays the path through the peaceful calm of “In Other Words,” drums propel “Passenger,” and “Grain Of Faith” plays like the perfect culmination of Tate’s lyrical harmony and Carrell’s guitar-based foundations.

“One of the most brilliant points of humanity is when you take a complex situation, and describe it in a sense that’s simplistic enough for people to grasp it very easily. That’s amazing, really, and that’s what I try to do with songwriting—I try to take a big subject and condense it down into something very simple, maybe just a phrase, or a line, or a couple of lines that says everything. That’s a tough challenge, and that’s what keeps bringing me back to writing music. It’s never easy, which means there’s always a challenge to come up with something new and different.

“I’ve often had this problem of looking at the glass like it’s half-empty, and I’ve been trying for all these years to figure out how to change that perspective. All of a sudden, I’ve done it, and I don’t know how I did it—I think it’s just sort of letting it all go, and knowing that it will change and get better. I’m definitely in a better place now than I’ve ever been in before, I’ve got a real positive outlook now,” Tate offers, drawing a comparison between his solo release, and his prior body of work. “Queensrÿche seems to have angst about it, and I think that’s just because of the dynamics of the members involved. This was much more of a peaceful vibe.”

While a “peaceful” vibe may seem a bit askew from the voice behind Queensrÿche’s Operation: Mindcrime epic, there’s not a rock band around that has had the bravado to take their music in as divergent directions as Tate’s full-time outfit, and that fact isn’t lost on the singer. “I never tried to have a box thrown around myself and be a ‘heavy metal’ singer,” he explains. “If you listen to a lot of Queensrÿche records, especially since Empire, we’ve done many different types of music and vocals, all based around guitars. ‘Silent Lucidity’ and ‘Jet City Woman’ aren’t heavy metal anthems, they’re just good songs, and I think this new record of mine is a greater extension of where Queensrÿche went in those directions.”

  Buy Tickets to see Geoff Tate’s Operation: Mindcrime Here! 

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$25 | $35 | $45 + applicable fees.

Tables are available for reservation. Call the box office for more information.

Doors 6:30PM | Show starts at 7:30PM

$15 | $20 | $30 + applicable fees.

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  Click Here To Buy Tickets To See DESPERADO! 

There is little doubt among the pure rock community that the legendary band Queen and lead performer Freddie Mercury earn high ranks as one of the most powerful and iconic groups in rock history. Queen, the kings of arena rock, performed to packed stadiums around the globe for over two decades. Freddie took showmanship by a rock front man to a new untapped level and was undisputedly crowned the lord of arena rock. He mesmerized audiences with his charismatic energy and larger than life stage persona. Upon his death in 1991, a huge void was left in the rock concert world, which to this day has not yet been matched. Queen Nation, a tribute to Queen, was formed in 2004. Queen Nation consists of: Gregory Finsley on vocals & keyboards as Freddie Mercury, Mike McManus on guitar as Brian May, Pete Burke on drums as Roger Taylor, and Parker Combs on bass as John Deacon. The mission of the show is to carry on the musical torch and pay homage to the golden age of vintage Queen concerts.Queen Nation’s live 90-minute production of Queen’s greatest hits preserves the image, sound, and stage persona of vintage Queen. Audiences are amazed at the accuracy of Queen Nation’s live retrospective journey through such Queen songs as We Will Rock You – Bohemian Rhapsody – We Are The Champions – Crazy Little Thing Called Love – You’re My Best Friend – Another One Bites The Dust – Under Pressure and many more. They have performed in front of thousands of people at casinos, fairs, festivals and private affairs.
	MIKE McMANUS – GUITAR / VOCALS Born and raised in the suburbs of Boston and weaned on his Dad’s Beatles albums at an early age, Mike could sing every song on the Sgt. Pepper’s album by the age six. It was there he acquired a taste for melodic 70’s arena rock bands such as Queen and Cheap Trick. After High School, Mike enrolled in Berklee College of Music. He soon left Boston for Los Angeles, and began sowing the seeds for what would become the hard rock band, EGODOG EGODOG released three critically acclaimed albums between 1997 and 2001, and traveled abroad each year performing for the U.S. Department of Defense. These very successful tours entertaining our troops took them to such far away countries as Japan, Bosnia, Kosovo and Hungary. In 2003, Mike created the musically animated Uncle Moondog, a scruffy-looking terrier who lives on the beach, sings songs and drives a dune buggy. (Check out www.unclemoondog.com) He wrote, recorded and released the 10-song “Uncle Moondog” CD in December 2003, and has received rave reviews across the country and spanning as far as the U.K. and Japan. In 2004, Mike got a call from singer Joe Retta to complete the line-up for Queen Nation. Looking at it as a labor of love, Mike buckled down and began learning all the guitar parts and transcribing all the harmonies. Not an easy task! Mike stated “I didn’t think I could gain any more respect for Brian May and Queen than I already had… My respect for them DOUBLED when I sat down to learn these songs!” His hard work led to an endorsement with Burns Guitars, maker of the Brian May model. Add to that Mike’s dead-on Brian May mannerisms and accurate stage attire, and you’d swear you were at the L.A. Forum in 1980!
	GREG FINSLEY – VOCALS / PIANO Gregory Finsley has been influenced by music’s greatest heroes since he could turn a radio dial as a child! Having been educated from middle school through high school, jazz and marching bands in Dallas, TX Gregory took up percussion at age 11 and never stopped. His desire to multitask became an easy habit early in life wanting to sing and play the drum set simultaneously and later the piano. Mixing rock, blues, swamp pop, country, and other styles of music in bands, Gregory has played with great musicians in New Orleans since he arrived in 1995. He even played Bourbon St. at the famous Tropical Isle with “Late As Usual” on a weekly basis. Strangely enough, Gregory’s first ever rock concert was Dec, 10, 1977 at Tarrant County Convention Center to see Queen perform being almost 12 years old! Watching the black crown raise up with the mist and smoke, lights and band, he decided he wanted to be a performer no matter what. Aside from his original recordings, Gregory has recorded and performed with many guitarists, piano players, and other vocalists such as John Autin of New Orleans, LA Craig Wallace of Dallas, TX Gary King of New Orleans, LA and even some corporations wanting Queen tunes specialized with different lyrics. His first Queen Tribute (Queen For A Day) was started in Dallas, TX in 2001 by Brian Harris, an outstanding guitarist with a long list of credentials to his name. Gregory, having a cousin living in Los Angeles, introduced him to Queen Nation in 2007 and created an extra push in his musical endeavors, which is now the top performing Queen Tribute in North America. Gregory’s taste in vocalists, artists, and groups include Stevie Wonder, Police, Tony Bennett, Carly Simon, Ronnie James Dio, James Taylor, Yes, Cab Calloway, Rod Stewart, Paul McCartney, Chrissie Hynde, Gene Krupa, David Bowie, Beatles, Frank Sinatra, The Rolling Stones, CSNY, Badfinger, The Cars, Eric Johnson, Carole King, and the list goes on. His other professions and hobbies include custom gardening, Depression glass, fishing the bayous, gourmet cooking, wines, nature and artistic photography, antiques, yoga, and strolling the farmer’s markets.
	PARKER COMBS – BASS Parker Combs, longtime Queen fan, started playing standup bass at 12 years old. After spending the next five years playing in school orchestras and spending summers honing his craft at Interlochen Performing Arts Academy in Michigan he graduated to the electric bass. He has spent the last 18 years playing original and cover music in a variety of rock, funk and country bands. “Playing with Queen Nation has allowed me to use my classical and rock background to truly appreciate John Deacon’s Musicianship and re-discover the music and history of Queen.
	PETER BURKE – DRUMS / VOCALS Peter Burke has been active in the LA music scene since the mid-90s. Originally inspired by classic rock bands like AC/DC, Aerosmith, and Led Zeppelin, the first album he ever bought was Queen’s “The Game”. In college he developed a love for jazz and classical music, performing throughout Europe with the CSUN Symphony Orchestra and statewide with renowned Jazz “A” Band. He earned Bachelor of Music Degree in Percussion Performance from Cal. St. Northridge in 2000. Peter began his professional career playing with the band 10 Speed, signed to A&M Records. They released their debut album internationally in 1998, and embarked on a coinciding tour of the U.S. and Europe. Throughout the first decade of the new millennium, he worked several platinum-selling recording artists including Wilson Phillips, Tiffany, and the BulletBoys. Highlights included appearances on TV shows “The Tonight Show with Jay Leno”, “Good Morning America”, and “On Air with Ryan Seacrest” with Wilson Phillips in support of their Columbia release “California” in 2004, and 2 albums recorded with the BulletBoys [“Sophie” with the help of legendary producer Andy Johns (Led Zeppelin, Rolling Stones), and “Live: Behind the Orange Curtain”]. Also highly regarded as a studio drummer, many of his recordings have appeared in major motion pictures and TV shows. Songs from the 2006 debut album of the band “The Skies of America” with famed producer Sylvia Massey Shivy (Chili Peppers, Tool, Smashing Pumpkins) have appeared in movies “The Bridge to Terabithia”(Disney), National Lampoon’s Van Wilder II, and “Eulogy” (Myriad Pictures). He’s also recorded with Joseph Arthur (for “One Hour Photo”, with Robin Williams), and Paperback Hero, who have had songs placed in TV shows “Friday Night Lights”(NBC), “Shark”(CBS), and “Felicity”(WB). Paperback Hero recently finished up its new Full length album, entitled “Cautionary Tale” with producer Jay Ruston (The Donnas, Steel Panther, Army of Freshman) for a 2010 release. Paperback Hero also recently won the KYSR – 98.7 FM (Clear Channel/Los Angeles) “Rock Star 3” competition – among the prizes was $25,000, and a performance at the opening of the new Grammy Museum @ LA Live on the Nokia Plaza to a crowd of more than 3000 fans. As a performer in tribute bands, you can catch Peter playing drums with Queen Nation (Queen), The Who Revue (The Who), and Holy Diver (Dio). Also, he currently plays vibraphone in Shades of Jade: A Tribute to Cal Tjader.

Doors 6:30PM | Opening Act 7:30PM | Headliner 9PM

$15 | $25 | $35 +applicable fees

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to Queen Nation!