Shows & Tickets

Orleans is best known as the 70s Pop/Rock band that brought you the iconic hits “Still the One”, “Dance With Me” and “Love Takes Time”. Now entering it’s 41st year of live performances, Orleans has produced a body of work spanning 16 albums and several DVDs. The band continues to be in great demand domestically and internationally for live shows, as they have been for four decades.

In the summer of 2012, Orleans experienced a tragedy in the sudden passing of co-founder Larry Hoppen. While there is no replacing Larry, the decision was made to somehow continue to perform the remaining shows of the year’s calendar. Co-founder/brother Lance Hoppen, along with long-standing members Lane Hoppen, Fly Amero and Charlie Morgan were rejoined by co-founder John Hall (who had been on sabbatical as a US Congressman) in order to finish with dignity and integrity what had been started 40 years prior.

With more than a dozen successful shows under their belt, the band finds that they are more than ready, willing and able to forge ahead into year 41.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$28 | $38 | $48+ applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to See Orleans Here! 

$38+ applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to See Pennywise Here! 

$38+ applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to See Pennywise Here! 

There is little doubt among the pure rock community that the legendary band Queen and lead performer Freddie Mercury earn high ranks as one of the most powerful and iconic groups in rock history. Queen, the kings of arena rock, performed to packed stadiums around the globe for over two decades. Freddie took showmanship by a rock front man to a new untapped level and was undisputedly crowned the lord of arena rock. He mesmerized audiences with his charismatic energy and larger than life stage persona. Upon his death in 1991, a huge void was left in the rock concert world, which to this day has not yet been matched. Queen Nation, a tribute to Queen, was formed in 2004. Queen Nation consists of: Gregory Finsley on vocals & keyboards as Freddie Mercury, Mike McManus on guitar as Brian May, Pete Burke on drums as Roger Taylor, and Parker Combs on bass as John Deacon. The mission of the show is to carry on the musical torch and pay homage to the golden age of vintage Queen concerts.Queen Nation’s live 90-minute production of Queen’s greatest hits preserves the image, sound, and stage persona of vintage Queen. Audiences are amazed at the accuracy of Queen Nation’s live retrospective journey through such Queen songs as We Will Rock You – Bohemian Rhapsody – We Are The Champions – Crazy Little Thing Called Love – You’re My Best Friend – Another One Bites The Dust – Under Pressure and many more. They have performed in front of thousands of people at casinos, fairs, festivals and private affairs.
	MIKE McMANUS – GUITAR / VOCALS Born and raised in the suburbs of Boston and weaned on his Dad’s Beatles albums at an early age, Mike could sing every song on the Sgt. Pepper’s album by the age six. It was there he acquired a taste for melodic 70’s arena rock bands such as Queen and Cheap Trick. After High School, Mike enrolled in Berklee College of Music. He soon left Boston for Los Angeles, and began sowing the seeds for what would become the hard rock band, EGODOG EGODOG released three critically acclaimed albums between 1997 and 2001, and traveled abroad each year performing for the U.S. Department of Defense. These very successful tours entertaining our troops took them to such far away countries as Japan, Bosnia, Kosovo and Hungary. In 2003, Mike created the musically animated Uncle Moondog, a scruffy-looking terrier who lives on the beach, sings songs and drives a dune buggy. (Check out www.unclemoondog.com) He wrote, recorded and released the 10-song “Uncle Moondog” CD in December 2003, and has received rave reviews across the country and spanning as far as the U.K. and Japan. In 2004, Mike got a call from singer Joe Retta to complete the line-up for Queen Nation. Looking at it as a labor of love, Mike buckled down and began learning all the guitar parts and transcribing all the harmonies. Not an easy task! Mike stated “I didn’t think I could gain any more respect for Brian May and Queen than I already had… My respect for them DOUBLED when I sat down to learn these songs!” His hard work led to an endorsement with Burns Guitars, maker of the Brian May model. Add to that Mike’s dead-on Brian May mannerisms and accurate stage attire, and you’d swear you were at the L.A. Forum in 1980!
	GREG FINSLEY – VOCALS / PIANO Gregory Finsley has been influenced by music’s greatest heroes since he could turn a radio dial as a child! Having been educated from middle school through high school, jazz and marching bands in Dallas, TX Gregory took up percussion at age 11 and never stopped. His desire to multitask became an easy habit early in life wanting to sing and play the drum set simultaneously and later the piano. Mixing rock, blues, swamp pop, country, and other styles of music in bands, Gregory has played with great musicians in New Orleans since he arrived in 1995. He even played Bourbon St. at the famous Tropical Isle with “Late As Usual” on a weekly basis. Strangely enough, Gregory’s first ever rock concert was Dec, 10, 1977 at Tarrant County Convention Center to see Queen perform being almost 12 years old! Watching the black crown raise up with the mist and smoke, lights and band, he decided he wanted to be a performer no matter what. Aside from his original recordings, Gregory has recorded and performed with many guitarists, piano players, and other vocalists such as John Autin of New Orleans, LA Craig Wallace of Dallas, TX Gary King of New Orleans, LA and even some corporations wanting Queen tunes specialized with different lyrics. His first Queen Tribute (Queen For A Day) was started in Dallas, TX in 2001 by Brian Harris, an outstanding guitarist with a long list of credentials to his name. Gregory, having a cousin living in Los Angeles, introduced him to Queen Nation in 2007 and created an extra push in his musical endeavors, which is now the top performing Queen Tribute in North America. Gregory’s taste in vocalists, artists, and groups include Stevie Wonder, Police, Tony Bennett, Carly Simon, Ronnie James Dio, James Taylor, Yes, Cab Calloway, Rod Stewart, Paul McCartney, Chrissie Hynde, Gene Krupa, David Bowie, Beatles, Frank Sinatra, The Rolling Stones, CSNY, Badfinger, The Cars, Eric Johnson, Carole King, and the list goes on. His other professions and hobbies include custom gardening, Depression glass, fishing the bayous, gourmet cooking, wines, nature and artistic photography, antiques, yoga, and strolling the farmer’s markets.
	PARKER COMBS – BASS Parker Combs, longtime Queen fan, started playing standup bass at 12 years old. After spending the next five years playing in school orchestras and spending summers honing his craft at Interlochen Performing Arts Academy in Michigan he graduated to the electric bass. He has spent the last 18 years playing original and cover music in a variety of rock, funk and country bands. “Playing with Queen Nation has allowed me to use my classical and rock background to truly appreciate John Deacon’s Musicianship and re-discover the music and history of Queen.
	PETER BURKE – DRUMS / VOCALS Peter Burke has been active in the LA music scene since the mid-90s. Originally inspired by classic rock bands like AC/DC, Aerosmith, and Led Zeppelin, the first album he ever bought was Queen’s “The Game”. In college he developed a love for jazz and classical music, performing throughout Europe with the CSUN Symphony Orchestra and statewide with renowned Jazz “A” Band. He earned Bachelor of Music Degree in Percussion Performance from Cal. St. Northridge in 2000. Peter began his professional career playing with the band 10 Speed, signed to A&M Records. They released their debut album internationally in 1998, and embarked on a coinciding tour of the U.S. and Europe. Throughout the first decade of the new millennium, he worked several platinum-selling recording artists including Wilson Phillips, Tiffany, and the BulletBoys. Highlights included appearances on TV shows “The Tonight Show with Jay Leno”, “Good Morning America”, and “On Air with Ryan Seacrest” with Wilson Phillips in support of their Columbia release “California” in 2004, and 2 albums recorded with the BulletBoys [“Sophie” with the help of legendary producer Andy Johns (Led Zeppelin, Rolling Stones), and “Live: Behind the Orange Curtain”]. Also highly regarded as a studio drummer, many of his recordings have appeared in major motion pictures and TV shows. Songs from the 2006 debut album of the band “The Skies of America” with famed producer Sylvia Massey Shivy (Chili Peppers, Tool, Smashing Pumpkins) have appeared in movies “The Bridge to Terabithia”(Disney), National Lampoon’s Van Wilder II, and “Eulogy” (Myriad Pictures). He’s also recorded with Joseph Arthur (for “One Hour Photo”, with Robin Williams), and Paperback Hero, who have had songs placed in TV shows “Friday Night Lights”(NBC), “Shark”(CBS), and “Felicity”(WB). Paperback Hero recently finished up its new Full length album, entitled “Cautionary Tale” with producer Jay Ruston (The Donnas, Steel Panther, Army of Freshman) for a 2010 release. Paperback Hero also recently won the KYSR – 98.7 FM (Clear Channel/Los Angeles) “Rock Star 3” competition – among the prizes was $25,000, and a performance at the opening of the new Grammy Museum @ LA Live on the Nokia Plaza to a crowd of more than 3000 fans. As a performer in tribute bands, you can catch Peter playing drums with Queen Nation (Queen), The Who Revue (The Who), and Holy Diver (Dio). Also, he currently plays vibraphone in Shades of Jade: A Tribute to Cal Tjader.

Doors 6:30PM | Opening Act 7:30PM | Headliner 9PM

$15 | $25 | $35 +applicable fees

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to Queen Nation: Tribute to Queen Here! 

Common Kings’ style and music is a collection of inspirations orchestrated into an array of head rocking beats, feel good vibes, and emotional fever. Their crazy, fun-loving attitude compliments Common Kings’ live sound, producing phenomenal hits with rock, reggae, and island influences. These influences originate from each band members love for various genres, and widespread knowledge of music.

The majority of Common Kings were born in the South Pacific, and raised in Orange County, California. Growing up with households full of colorful personality and vibrant passions for music, Common Kings’ members naturally grew up forming individual musical paths. This musical journey involved mimicking and listening to artists such as Van Morrison, Stevie Wonder, Geourge Benson, Jim Croce, Michael Jackson, The Who, Led Zepplin, Gypsy Kings, Earth Wind and Fire, Bob Marley and more. The culmination of these musicians explains exactly who the Common Kings are.

Where everything comes to a point is through lead singer Sasualei “Jr King” Maliga. Jr King is perhaps one of the most powerfully impressive vocalists amongst today’s leading artists. Born with this untrained raw-talent, Jr King’s singing ability seems boundless, as he amazes listeners with a wide range of belting notes and soulful passion. His humble demeanor off-stage needs no introduction as to when the band is rocking out on-stage creating a young, wild, and free atmosphere.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$35 | $50 | $65 + applicable fees.

Tables are available for reservation. Call the box office for more information.

  Click Here To Buy Tickets To See Common Kings! 

• A general admission ticket with early entry
• Access to a pre-show performance and Q&A with G. Love at sound check
• Group photo on stage with G. Love and a limited edition poster autographed by G.Love.

Advanced: $99+ applicable fees.

Call the box office for more information.

  Buy Tickets to See G. LOVE & SPECIAL SAUCE Here! 

“When you get the spark, you got to ride that energy,” says G. Love, and that spark certainly ignites on his 10th studio full-length Love Saves The Day. He calls the new release “the fullest realization of the hip-hop blues” that he first pioneered with Special Sauce in the early ‘90s. The album, due out October 30 on Brushfire Records, not only features G. Love’s long-term Special Sauce rhythm section – upright bassist James “Jimi Jazz” Prescott, and drummer Jeffrey “The Houseman” Clemens – but also prominent guest performers including Los Lobos guitarist David Hidalgo, Lucinda Williams, Citizen Cope, Ozomatli, DJ Logic, Money Mark, Zach Gill and Adam Topol.

To create their down and dirty “trashcan blues” sound, G. Love and Special Sauce returned to Brushfire Records’ Solar Powered Plastic Plant in Los Angeles. The band was excited to reteam with Sugar engineer and producer Robert Carranza (Jack Johnson, Beastie Boys, Mars Volta). They recorded live with few edits to capture the immediacy of the music: G. Love making his guitar snarl and his harmonica moan, bassist Prescott bringing nimble funk to the bottom end and Clemens’ drum work crackling with power. “The music,” G. Love enthuses, “jumped off the tape.”

The new album completes the trilogy for G. Love that started with 2011’s Fixin To Die. That disc stripped his music down to its roots and saw him record with The Avett Brothers, while Sugar, in G. Love’s words, “reconnected the blues with the electric side” and reunited the original trio to create the band’s signature style of blending John Lee Hooker blues with “Golden Era” hip-hop beats. On Love Saves The Day the group dives even deeper, making the grooves heavier, the music rawer and the performances more authentic.

G. Love also feels Love Saves The Day is his most rock ‘n’ roll record yet. Just listen to the title track that opens the album and you’ll hear why. This blast of furious blues, powered by David Hidalgo’s wicked guitar work, stands toe-to-toe with the classic work of Cream and the other blues-inspired bands of the ‘60s and early ‘70s. Hidalgo, a returnee from the Sugar sessions, plays on two other songs, “Dis Song” and “That Girl.” Besides being the first tracks recorded, G. Love sees these three tunes as forming the core of the album. They also lead off the release and set the record’s rugged, raucous tone.

This wonderfully unruly spirit flows through the revved-up rendition of the old Leadbelly tune “New York City,” where G. Love does a delightfully ragged duet with celebrated singer-songwriter Lucinda Williams. On the mesmerizing “Muse,” which arose from an all-night writing session he had with his old pal Citizen Cope, G. Love’s sinewy slide guitar drives the tune’s southern rock/hip-hop hybrid groove. “Baby Why You Do Me Like That” kicks off with scratching from another old friend, D.J. Logic, and features the album’s heaviest hip-hop beats. Adding to the groove on “Muse” and “Baby…” is the energetic horn work supplied by L.A. band Ozomatli; however, their contributions really shine on “Let’s Have A Good Time,” a super funky jam that could have easily been a lost James Brown gem.

Although “Let’s Have A Good Time,” along with the catchy, power-of-love ode “Peanut Butter Lips,” rank as the lighter tunes on the album, the overall lyrical mood, as G. Love easily admits, tends to favor the darker side. Even the seemingly optimistic title track turns heavy towards the end. Standout cut “Back To Boston,” which examines a troubled relationship, was written on a drive from New York City to Boston. Longtime fans will recognize the tune from the acoustic EP Bloodshot & Blue, but G. Love wanted to give it the full-band treatment, with the new version showcasing frequent collaborator Mark Boyce’s jazzy organ work. The rough-hewn performances on tracks like “That Girl,” “Pick Up The Phone” and “R U Kidding Me…!” further reflect the lyrics’ raw emotions, with the sharp-tongued “Dis Song” representing the peak of, as G. Love calls it, “pissed-off-ness.”

Whether angrily railing about a girl with a “shotgun tongue” in “Dis Song,” joyfully leading a party celebration in “Let’s Have A Good Time,” or solemnly addressing love woes on the solo acoustic tune “Lil’ Run Around,” G. Love’s vocals vividly express his torn-from-the-heart emotions. He has been putting more emphasis on his singing in the past few years, and feels his vocals on the new album are his strongest ever. G. Love admits that singing with Citizen Cope and Lucinda Williams on this album, and the great session singer Merry Clayton on Sugar, made him raise his game.

He certainly has come a long way in the 20 years since drummer Clemens discovered him performing in a Boston pub. The two started playing together and, after Clemens brought in upright bassist Prescott, G. Love & Special Sauce was born. Their self-titled debut, featuring the hit “Cold Beverage,” wound up going gold. The band became known for their live shows and performed around the world. G. Love has played with and without Special Sauce over the years, but now the trio is back together and it feels right. G. Love believes the current manifestation of the band is stronger than ever and is riding a creative high, adding “and we didn’t want to kill each other.”

Love Saves The Day marks G. Love’s sixth with Brushfire Records and he’s thrilled with their relationship. He lauds label chief Emmett Malloy as someone driven by creativity first and whose aesthetic tastes he trusts. G. Love views today’s music world as the Wild West, with “all the lines washed away;” however, his genre-blurring music now is more relevant than when he started. “It’s a good time to be doing what we are doing,” he asserts, noting Gary Clark Jr., Jack White, Robert Randolph and Galactic as some fellow keepers of the blues flame who “maintain the roots but push music forward.”

G. Love proudly describes himself as a road dog who “will be touring until I fall off the earth” and plans to keep on pushing with Special Sauce from stage to stage. Whether Love Saves The Day makes one dollar or a million isn’t a big concern to him. It stands as a huge success because he made the gritty, honest album that he intended by “keeping it raw, keeping it immediate, keeping it real.” It’s an approach that he has honed over the years: “be original and be true to what you do.”

Advanced: $35 | $40 | $50+ applicable fees.
Day Of Show: $34 | $45 | $55+ applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to See G. LOVE & SPECIAL SAUCE Here! 

Doors 6:30PM | Opening Act 7:30PM | Headliner 9PM

$10 | $15 | $20 +applicable fees

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to Dr. Harrison & The Credentials feat. Mountain Top Strings Here! 

Experience the hit songs from Meat Loaf performed brilliantly by his band, The Neverland Express plus American Idol Winner, Caleb Johnson.

The Neverland Express includes world-class alumni spanning the history of the Meat Loaf legacy.

In addition to a #1 album and touring with some of the biggest names in Roc, Caleb Johnson is the winner of American Idol season 13. He delivers his own unique stamp to such classics as “Bat Out Of Hell,” “Paradise By The Dashboard Light” and “I Would Do Anything For Love” while staying true to the essence of Meat Loaf’s delivery.

The show is presented by Grammy Award winner Meat Loaf and produced by his musical director/guitarist/record producer, Paul Cook.

Doors 6:30 PM | Opening Act 7:30 PM | Headlining Act 9 PM

$40 | $50 | $60+ applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to See Meatloaf Presents BAT Here! 

Doors 6:30PM | Opening Act 7:30PM | Headliner 9PM

$15 | $25 | $30 +applicable fees

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to Masters of Puppets: Metallica Tribute Here! 

AEROMYTH IS THE ULTIMATE TRIBUTE TO AEROSMITH!

AEROMYTH has toured all over the USA and internationally for the last 12 years. Aeromyth has been featured on the morning show, Regis & Kelly on ABC 7, The Tonight Show with Jay Leno and a performance on Good Day LA Channel 11 Los Angeles morning show. They have performed at Summerfest in Milwaukee to 10,000 people, the last Jack FM, Arrowfest at the Verizon Wireless Amphitheater, The 95.5 KLOS Mark & Brian Poker Tournament, numerous Las Vegas shows including performances.

AEROMYTH has been a headlining act for 3 consecutive years on Fremont Street in Las Vegas on the Golden Nugget Casino stage, 2008, 2009 & 2010 with record attendance of 30,000 plus people. The band has performed worldwide, including Las Vegas, Palm Springs, Honduras, The Dominican Republic, Puerto Rico, Monterrey, Mexico at Festivals, Motorcycle Rallys, Casinos, Corporate Events and much more! This band is considered the best Aerosmith Tribute around the globe!

In 2011 Aeromyth was featured on the front page of the Orange County Register after their performance at the OC Fair!

Not only does AEROMYTH have an amazing Steven Tyler impersonator, but all band members really look and sound like the Aerosmith band members they portray, plus we have an amazing Joe Perry look alike! All members, walk, talk, act, perform, and look like AEROSMITH.

At an Aeromyth performance at the Key Club in Hollywood, Dave Navarro was quoted as saying, “I thought I was hearing an Aerosmith Album!”

Performing all of their greatest hits, from classic songs such as “Walk This Way,” “Sweet Emotion,” and “Toys,” to more current hits like “Dude Looks Like A Lady,” “Jaded” and “Don’t Wanna Miss A Thing.”

In March 2010 AEROMYTH signed a contract for a pilot episode for a Reality TV show based on AEROMYTH and the lives of its members as well as everything that goes on behind the scenes!

They played the 2009 Sturgis Motorcycle Rally at the same time and right down the street from the famous Aerosmith performance when Steven Tyler fell of the stage! AEROMYTH has played many events over the years such as Summerfest in Milwaukee, WI, The Blackgold Motorcycle Rally, The Runammucca Motorcycle Rally, Ottawa Riverfest in Ottawa, IL, with attendance in the 5000 plus range, the last FM 97.1 Arrowfest at the Verizon Wireless Amphitheater to a sold out show of 15,000 plus, along with National Acts, BOSTON, REO SPEED WAGON, STYX, 38 SPECIAL, EDGAR WINTER, AND STEPPEN WOLF and much more. Too many great shows to list!

AEROMYTH consists of some very experienced musicians. All members are professionals with many years of studio and stage experience. This band is reliable in all aspects! You can count on AEROMYTH to bring you the very best of Aerosmith!

This band was created with the utmost love, respect and admiration for the most powerful band of the 70’s, 80’s, 90’s now and into the future. AEROSMITH!

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$15 | $25 | $35+ applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to See Aeromyth: Tribute to Aerosmith Here! 

Simple Man is the quintessential Lynyrd Skynyrd tribute band. Based out of Southern California, this group of consummate musicians and soulful rockers embody the talent and energy of the original band, who sadly lost members much too soon. Simple Man evokes Ronnie Van Zant’s profound and powerful vocals, while highlighting the dual lead guitar riffs that Simple Man made famous. They celebrate the entire catalogue including the hits like “Simple Man,” “Sweet Home Alabama” and “Tuesday’s gone,” as well as deeper cuts such as “The Needle and the Spoon” and “Poison Whiskey.”

Authenticity to the music is at the core of every Simple Man performance and each musician truly personifies an original member. Lead singer Andrew Mazzarelli (Ronnie Van Zant) channels the power and humanity that Andrew felt when he first saw Ronnie perform. Backing vocalists Shaun Bernadou (Leslie Hawkins) and Jea Landgraf (Jo Jo Billingsley) bring additional depth and charisma to the stage, while bass player Greg Lemke (Leon Wilkeson) and drummer Blair Banning (Artimus Pyle) provide a strong rhythmic backbone that enhances the experience. Rick Dekker (Ed King & Allen Collins) and Celso Salim (Gary Rossington) expertly intertwine impressive guitar licks with vitality and wisdom. Celso also captures the trademark slide guitar that turned songs such as “Free Bird” into anthems. Dan Jorissen (Billy Powell) does an exceptional job providing a Southern rock vibe on the keys.

If you are looking for a genuine Lynyrd Skynyrd rock n’ roll experience, look no further than Lyvyn Skynyrd. They will take you through a time capsule of songs from the 1970’s that no other band can replicate. The music of Lynyrd Skynyrd is enjoyed by children from 7 all the way to adults in their 70s. Once you have experienced the music it is something that you will never forget. See what is being said about them.

“Simple Man is the most honest, best sounding, most well played tribute to the legacy of Lynyrd Skynyrd that I have ever heard. This is as good as it gets”

— Paul ILL, Studio Bass Player
Doors, Courtney Love, Linda Perry, Alicia Keys, Christina Aguilera

” A little Southern love, West Coast style. Simple Man being the boozy, rockin’ good times with their tribute to Skynyrd. All seasoned pros these boys entertain like nobody’s business. Get those lighters ready! Either way get you some Simple Man and you’ll be three steps toward the door.”

— Gerry Gomez for Turnstyled Junkpiled Magazine voted #1 Americana blog of 2012

About Beer Drinkers & Hell Raisers

The ultimate ZZ Top tribute BEER DRINKERS AND HELL RAISERS! No fake beards here folks, these are the real McCoy’s! Taking ZZ Tops greatest hits of the 70’s to a whole new level. The blistering Guitar/Vocal antics of Tim Narducci. The thunderous Bass/vocals of Cornbread and pounding grooves of Carter Kennedy. Wrap it up in a great stage production/performance that leaves all other ZZ Top Tribute bands in the dust! If you crave ZZ Top, BEER DRINKERS AND HELL RAISERS is it!

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$15 | $25 | $35+ applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to See Simple Man: Tribute to Lynyrd Skynyrd Here! 

Born and raised in the San Francisco Bay area, Dave Brock left Northern California in the 1980s to attend school at Long Beach State University.

While in college, Dave landed the lead role in The Jim Morrison Rock Opera as the poetically tragic lead singer of The Doors. The late singer’s sister, Anna Morrison Graham, and her husband Allan produced the production. Before the production’s debut, Brock was featured in many major publications including: Rolling Stone Magazine, The Los Angeles Times Calendar and Bam Magazine. There was quite a buzz in the industry about this production and Dave proved to be quite a good vocalist and performer when the production was ready for the public.

After the conclusion of Rock Opera, Dave formed his own live musical stage show performing the music of The Doors called “Wild Child.” The live concert show landed at the world famous Whisky a-go-go on the sunset strip on July 3rd, 1986. It was a triple sellout on its very first night. Reviews poured in calling this new show a “must see”.

The LA Times said, “Wild Child is a winner! What’s amazing is that vocalist Dave Brock sings like Morrison, enough to imperil the snowflake analogy about no two sets of vocal chords to be able to produce the exact same vocal tone.” The Daily Bulletin said “Brock, who bears more than a passing resemblance, evokes the Morrison persona without being forced.” Jim Ladd, the famous Los Angeles KLOS FM radio DJ and Rock and roll critic described Wild Child to his listeners. “These Guys are excellent, not a cartoon version of The Doors but a very loving and respectful, accurate and well done tribute to The Doors.”

Since Wild Child debuted, the act has been touring and playing at sold out national act venues and festivals around the world. Wild Child became the mold that “tribute bands” aspired to become, as they flooded the market in the 1990’s with good and bad impersonations of famous artists.

In 1992, Brock was also noticed by film Director and Producer Robert Zemeckis and played the part of Jim Morrison in the comedy film “Death Becomes Her.”

In 2010 Ray Manzarek and Robby Krieger of The Doors, invited Dave to tour with them as their vocalist on their concert engagements. This was perhaps the best compliment Dave has ever received from anyone for his work. He presently tours with them.

In recent years, Dave has picked up the game of golf and has become a low handicapper. Dave’s interest in the game has also led him into avenues of Charity and Pro-Am Golf events. Dave participated in The Bill Clinton Humana Challenge Pro-Am PGA Tour in 2013 at PGA West, The Patrick Warburton Celebrity Golf Tournament for St Jude Kids and The Scott Medlock – Robby Krieger St. Jude Invitational.

Dave currently resides with his family in Southern California, tours with Ray Manzarek and Robby Krieger of The Doors and with Wild Child.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$20 | $30 | $40+ applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to See Wild Child: Tribute to The Door’s Here! 

Backwoods bravado, patriot’s pride, country soul, keg-thumping beats — these are the qualities that Moonshine Bandits have championed since they began their journey. Armed with a hybrid arsenal of country and hip hop fusion, the California duo of Dusty ‘Tex’ Dahlgren and Brett ‘Bird’ Brooks are back with the grittiest, spirited and distinctly grass-roots release of their sixteen year campaign of musical badassery – “Gold Rush.”

If you ain’t about this life then you ain’t about shit.” – From the Track ‘Mud Money’ on the Moonshine Bandits latest release ‘Gold Rush”’

Since their formation in Los Banos California in 2003 the Moonshine Bandits have continued a campaign of crossover genre-bending musical mayhem that appeals to the eclectic, color-outside-the-lines tastes of listeners, aka The Shiners, and they fiercely refuse to have their tastes confined and filed into categories. “Our musical style has always been full throttle and in your face,” says Moonshine Bandit Tex. Just like the rumrunners, bootleggers, smugglers and outlaws of old – the Moonshine Bandits provide a supply of the goods for the demand, defying the mandates and trends of mainstream pop culture.

The course of their career has seen ups and downs, hard partying and self-reflection. The Moonshine Bandits have crisscrossed the country performing hundreds of shows a year, ventured into branding their own beef jerky and moonshine, collaborated with some of the music business’s most prolific artists, outshined in the face of record industry roadblocks, earned a fiercely loyal fan following, and embrace the unconventional. Hell, they’ve even had the honor of friend and adult film legend Tera Patrick spicing up a music video! It’s all part of a journey filled with good, bad and even some ugly, but ultimately the Moonshine Bandit philosophy is summed up by Tex and Bird’s joint statement – “We always felt there aren’t stops or boundaries if you pave your own lane.”

And now the Moonshine Bandits have hit the proverbial motherlode with the release of Gold Rush on their very own record label MSB. Taking its inspiration from all that embodied the struggles and successes of America’s extraordinary era when dreams were being made while hunting for that elusive precious gem. It wasn’t entirely about the dollar sign though. The Gold Rush was far more dynamic in terms of the greater meaning and effect it had on all those who took part. Big or small, bust or windfall, for many people the Gold Rush ultimately provided the experience of building a new life in a wild place that had a code of its own.

“Our Gold Rush wasn’t always about the glitter because we took the long haul,” Tex says, and just like many of the hopeful dreamers who panned the creeks of the old west’s badlands, the Moonshine Bandits encountered their share of setbacks but never quit. “We got in the trenches,” Tex continues, “learned and got burned.” The group’s Gold Rush reflects on a career that wasn’t about following some set of rules; this is about living by a code. Now with the debut of their own label, the group can fully exercise that code. “There’s a right way, a wrong way, and now there’s our way.” Characterize it as rebellion, call it anti-establishment, or perhaps it’s a little bit of symbolic of an elusive time when there actually was Honor among thieves, but the Bandits simply see it as lessons learned from experience.

Thematically, Tex and Bird describe the Gold Rush album as homage not only to the band’s career journey but also, and profoundly, “a journey about the people we have come in contact with. The people that inspire our songs.” This is especially true of the track “Two Bar Town” which speaks volumes of the brick and mortar, mom and pop’s, local friends and corner watering holes that truly provided the foundation of everyday life, culture and economics in America. Tex says the theme is all about the ‘small town’ and despite the fact that ‘small towns’ have naturally changed with time that “doesn’t mean you have to, you can still be proud of where you came from and keep those memories forever.”

Long before people figured out country and rap had a lot in common, the Moonshine Bandits released their genre-blending album, “Whiskey & Women,” and took the world of outlaw music by storm. The group’s blue-collar work ethic and unwavering persistence has led to over 60 million views on the ShinerTV YouTube channel – collectively over 80 million views on YouTube – while their video for “My Kind of Country” peaked at #1 on CMT Pure. The Bandits also charted Billboard simultaneously with a top 10 in Rap and a top 20 in Country Music and have been Recognized by Rolling Stone Magazine, CMT, Youtube Honors, MTV, AOL THE BOOT, YAHOO, and the list goes on. Connecting with fans on all levels, Moonshine Bandits have built a solid “Shiner Nation” of loyal fans, started their own 501 (c) 3 non-profit organization known as Operation Packing Company, Inc. that specializes in sending supplies to our Troops Overseas, Beef Jerky and legal Moonshine. The Bandits earned a 2018 Telly Award for their “Take This Job” music video featuring David Allan Coe

Doors 6:30PM | Opening Act 7:30PM | Headliner 9PM

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“We’re a Mexican American band, and no word describes America like immigrant. Most of us are children of immigrants, so it’s perhaps natural that the songs we create celebrate America in this way.” So says Louie Perez, the “poet laureate” and primary wordsmith of Los Lobos, when describing the songs on the band’s new album, Gates of Gold.

The stories on Gates of Gold are snapshots of experiences that Perez and his band mates have had, based on where they are emotionally and how they respond to evolving life circumstances. “We live out loud most of the time and share our life this way, but then there are more intrinsic things that happen, and our songs are part of the way we react to them. We sit down and basically tell people what has happened. We certainly didn’t start this project with aspirations to create the musical equivalent to great American literary works.”

After celebrating their 40^th anniversary with the cleverly titled 2013 live album Disconnected In New York City, the hard working, constantly touring band – David Hidalgo, Louie Perez, Cesar Rosas, Conrad Lozano and Steve Berlin – leaps headfirst into their fifth decade with an invitation to join them as they open fresh and exciting new Gates of Gold, their first full length studio album since 2010’s Tin Can Trust (a Grammy nominee for Best Americana Album) and second with Savoy/429 Records.

The dynamic songwriting, deeply poetic lyrics, thoughtful romantic and spiritual themes and eclectic blend of styles on the 11 track collection has resulted in an American saga in the rich literary tradition of legendary authors John Steinbeck and William Faulkner. Yet true to form, these typically humble musical wolves started in on the project without any grand vision or musical roadmap. Over 30 years after Los Lobos’ major label breakthrough How Will The Wolf Survive? – their 1984 album that ranks #30 on Rolling Stones list of the 100 greatest albums of the 1980s – their main challenge when they get off the road and head back into the studio is, as Berlin says, “trying not to do stuff we’ve already done. To a certain extent, we are always drawing from the same multi-faceted paint box, and we sound like what we sound like. We’re proud of what we feel is an honest body of work. We just want to keep finding new ways to say things.”

In the band’s early recording days – those years just before and after “La Bamba,” their worldwide crossover hit from the 1987 film which reached #1 on the U.S. and UK singles chart – they prepared for album recording sessions with top producers like T-Bone Burnett with pre- production that included multiple rehearsals and “outlining” what the project was going to be.

The more spontaneous approach to writing and recording that they took on their 1992 Mitchell Froom co-produced set Kiko still exists today; Rosas says, “When I listen to our catalog, doing things more spontaneously in the studio has led to some of our best work.” Unlike many bands that write, gather and catalog material between studio releases, Los Lobos prefers to create their magic on the fly when they decide it’s time to record. Perez says, “We never come in with a cache of 20 songs. Our thing is to write as we’re recording. It’s like starting with a blank canvass every time.”

The journey to Gates of Gold began with Hidalgo bringing in a batch of ideas, outlines and chord progressions with no lyrics. As he and Perez began fleshing things out, developing grooves, melodies and lyrical themes, Hidalgo, his son, drummer David, Jr. and bassist Lozano began tracking those tunes. The collection opens with the reflective, mid-tempo rocker “Made To Break Your Heart,” featuring female vocalist Syd Straw, whose vibe was partially inspired by Hidalgo’s love for Manassas, the early 70s blues-country-rock band created by Stephen Stills.

The moody, atmospheric rocker “When We Were Free,” whose lyrics of what Berlin calls “beautiful melancholy memories” are underscored with the increasing drama of booming drums and distorted electric guitars. Filled with hypnotic sound effects and cool vocal and guitar distortion (created via an eight track analog Cascam cassette recorder!), the soulful, reflective “There I Go” touches on the universal search for what Perez calls “something meaningful, though we’re not always sure what it is.”

Further Hidalgo/Perez collaborations include “Too Small Heart,” a raw and raucous nod to both Los Lobos garage band roots and the wild abandon of Jimi Hendrix; the easy grooving folk- rocker “Song of the Sun,” which taps into the elements of life (water, fire, earth) and creation myths while touching on the way we choose to live in the present; the slow burning blues/rocker “Magdalena,” inspired by the Biblical Mary Magdalene and visions of flowing robes; and the folk-influenced, image rich rocker title track “Gates of Gold,” whose lyrical abstractions allow for multiple earthly and spiritual interpretations.

Perez says, “When I first started listening to the original demo Dave had, the music spoke to me of rural America. The impression the lyrics give could refer to the afterlife, i.e. the “pearly gates,” but I also was thinking about the immigrant experience, the promise of a new life as one travels across borders, all the thoughts a person making that daring move might have connected to the dream of what America is. Our parents all wondered what lay beyond those gates. On a personal level, it’s a reflection of where my band mates and I are in our lives. We’re all over 60 now and looking towards the horizon at our own mortality. We think often about what we’ve contributed and what’s left. I don’t know who the protagonist of the song is, but he’s looking at those gates from a distance because what lies beyond is a mystery.”

As Hidalgo and Perez began collaborating on their songs, Rosas, as per his trademark “lone wolf” songwriting approach, took his basic tracks to his home studio to complete the handful of tunes that flesh out the set. The singer, guitarist and mandolin player’s pieces include the raucous and bluesy, garage band fired jam “Mis-Treater Boogie Blues,” the swampy folk-rock blues lament “I Believed You So” and the swaying, sensual Latin Cumbia-styled “Poquito Para Aqui.” The sole cover on Gates of Gold is the other Spanish language tune, “La Tumba,” an accordion laced folk piece connected to the Mexican Norteno tradition (related to polka and corrodes) whose theme, says Perez, is very dark, “about following your lover to the tomb.” It’s very familiar to fans as a frequent staple of Los Lobos’ live performances.

Back in 2003, when Los Lobos was celebrating the 30^th Anniversary of their humble beginnings as a garage band in East L.A., Rolling Stone summed up their distinctive, diverse, freewheeling fusion of rock, blues, soul and Mexican folk music: “This is what happens when five guys create a magical sound, then stick together…to see how far it can take them.” Originally called Los Lobos del Este (de Los Angeles), a play on a popular norteno band called Los Lobos del Norte, the group originally came together from three separate units. Lead vocalist/guitarist Hidalgo, whose arsenal includes accordion, percussion, bass, keyboards, melodic, drums, violin and banjo, met Perez at Garfield High in East LA and started a garage band. Rosas, who had his own group, and Lozano launched a power trio. “But we all hung out because we were friends and making music was just the natural progression of things,” says Perez, the band’s drummer. “Like if you hang around a barbershop long enough, you’re going to get a haircut.”

Berlin is Los Lobos’ saxophonist, flutist and harmonica player who met the band while still with seminal L.A. rockers The Blasters. He joined the group after performing on and co-producing (with T-Bone Burnett) their breakthrough 1983 EP …And A Time To Dance. Los Lobos were already East L.A. neighborhood legends, Sunset Strip regulars and a Grammy winning band (Best Mexican American/Tejano Music Performance) by the time they recorded How Will the Wolf Survive? Although the album’s name and title song were inspired by a National Geographic article about real life wolves in the wild, the band saw obvious parallels with their struggle to gain mainstream rock success while maintaining their Mexican roots.

Perez, once called their powerhouse mix of rock, Tex-Mex, country, folk, R&B, blues and traditional Spanish and Mexican music “the soundtrack of the barrio.” Three decades, two more Grammys, the global success of “La Bamba” and thousands of rollicking performances across the globe later, Los Lobos is surviving quite well — and still jamming with the same raw intensity as they had when they began in that garage in 1973. They don’t get in the studio as often as they did a few decades ago – Tin Can Trust came four years after their previous album of all originals, The Town and the City – but when they do, the results are every bit as culturally rich, musically rocking and lyrically provocative as they were back in the day.

“It’s not always the easiest thing finding time away from our touring schedule and families to find time to make an album,” says Berlin, “but recording Gates of Gold, I have to say it’s great to be back in the proverbial saddle again. It reminds us of the fun we have had making new music over the years, and it’s nice to have the opportunity to create something of value.”

Perez adds, “I find that the most interesting part of songwriting and tracking a new album is the differential between the way a song sounds to you at 2 a.m. and the way it may hit you when it’s 11 a.m. and it reaches the light of day. We may love it just as much or we may realize we can do better. It’s always a process of discovering more about ourselves and the music we love to make. It’s not always easy getting started again, but I love that moment in the process when the songs start to take on their own life and we can let the kid, so to speak, run out onto the street and start figuring things out for himself. The way songs reveal themselves to us during these periods of writing and recording is my favorite part of the Los Lobos recording experience.”

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“DSB is the world’s greatest Journey tribute band.” Katie Daryl-Producer/Host AXS.tv

DSB has been highly revered as the “next best thing” to Journey. They have captured the lush and signature sound of renowned vocalist Steve Perry and Journey in their prime. Complete with a band of world-class musicians, DSB remains true to Journey’s musical legacy and delivers the nostalgic concert experience that will keep you believin’!

Since 2009, DSB’s high-energy stage production and accurate recreations of Journey classics have made DSB the #1 Journey tribute show in the world. In the past seven years, DSB has exploded nationally, performing coast to coast with iconic rock bands Foreigner, Night Ranger, Little River Band, Loverboy, and REO Speedwagon. DSB was anointed The World’s Greatest Journey tribute band by Mark Cuban and Ryan Seacrest’s AXS TV and was featured on the network’s hit show, The World’s Greatest Tribute Bands. Vegas Rocks! Magazine honored DSB and named them Best Rock Tribute. DSB has become a fixture at the annual Sounds Like Summer Concert Series at Walt Disney World’s EPCOT. Recently, DSB embarked on a 12,000 mile U.S. tour and was featured on FOX television and Hallmark Channel’s Home & Family. Currently, DSB is proud to have teamed with Royal Caribbean International to bring the highly acclaimed DSB: An American Journey concert aboard the newest addition to their Quantum Class of luxury cruise ships, The Anthem of the Seas.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

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O-TOWN

O-Town’s story began in 1999, when TV network, ABC, produced the very first musical reality show in major network history. “Making the Band” was produced in conjunction with Lou Pearlman, creator of both the Backstreet Boys and *NSYNC . The show chronicled the creation, development, and rise to success of O-Town throughout three seasons of the series; the first two on ABC and the final season on MTV. The group became the first to be signed by Clive Davis to his label, J Records, and released two full-length albums, which included #1 singles, “Liquid Dreams” and “All or Nothing”. The latter of which was nominated for “Song of the Year” at the Radio Music Awards in 2001.

By 2003, O-Town found themselves amidst an industry that was beginning to experience dramatic changes, former mentor, Lou Pearlman’s, legal battles and eventual conviction regarding embezzlement of more than $300 million, as well as a complex contract that left the group in dire financial strain. “We really had little choice but to close up shop at that point”, Jacob explains. “We learned so much during those 4 years, but it was obvious the time had come to walk away, hoping we could do it again one day, differently”.

Reunited in 2014 as a four-piece, following the departure of member, Ashley Parker Angel, band members Jacob Underwood, Trevor Penick, Dan Miller and Erik-Michael Estrada, released their third studio album, “Lines & Circles”, and set out on a national tour for the first time in 10 years in support of the album. They spent the summer of 2016 on the MY2K Tour, with artists 98 Degrees, Ryan Cabrera, and Dream. They also performed alongside the likes of New Kids on The Block, Boyz ll Men and Paula Abdul for the 5th Mixtape Festival, held in July 2016 in Hershey, PA. Additionally, the group made their acting debut starring in Backstreet Boy member, Nick Carter’s cult film, “Dead 7”, amongst members of all of the generation’s biggest boy bands, which was premiered on the Sy-Fy channel.

After touring for the last three years and realizing the incredible support of their loyal fans, it seemed clear to the band that they could produce their fourth album free of any label, and could rely solely on their fans for funding. In October 2016, the group launched a Kickstarter campaign to do just that. The campaign was so incredibly successful that they met their initial goal of $47,500 within the first 7 hours. At the end of the 30 day campaign, they nearly doubled that goal, proving their loyal fan base will continue to support the group as they pursue new musical endeavors.

RYAN CABRERA

You might think that you know RYAN CABRERA.

Sure, the platinum-selling singer and songwriter is the architect behind ubiquitous smashes such as “On the Way Down,” “True” and “Shine On” as well as albums including 2004’s Take It All Away, which hit #8 on the BillboardTop 200, You Stand Watching [2005], and The Moon Underwater [2008]. However, get to know RYAN like never before on his newly released EP Wake Up Beautiful(Dynamite Music) and fifth full-length album due out later this year. Stardom aside, it’s never ever been about image, media, or pomp and circumstance for CABRERA. It’s always come down to one thing: the music. It’s where everything starts…

In 2009, he began writing songs for what would eventually become record number five. However, the inspiration didn’t quite click right off the bat. So, he continued cataloging his thoughts and emotions over the next few years. He immersed himself in other artistic pursuits such as painting—actually decking out his home with all original work enjoying his own personal renaissance.

He also spent meaningful time at hospitals around the country, brightening up the day for countless sick children and young adults. Inspired from this, CABRERA also took the opportunity to launch a live music series entitled Live From Ryan’s Living Room. Utilizing VYRT, he broadcasts live performances from his living room and all proceeds for “online tickets” benefit different charities. Everybody from Colbie Caillat and Gavin DeGraw to Billy Ray Cyrus and We The Kings has joined him in the Living Room for unique live jams.

Amidst this creative upswing, 2013 ushered in something of a new awakening for CABRERA. After penning “I See Love” in Nashville with Nathan Chapman [Taylor Swift], he experienced a revelation. “That sparked the mindset of the new album,” he affirms. “It was about writing songs that are real and honest. It was, ‘Write what you love and are passionate about.’ That ignited the entire record.”

He went back to Los Angeles reinvigorated and locked himself in the studio with producer Justin Gray [Mariah Carey, John Legend, Amy Winehouse]. Together, the duo wrote and performed the bulk of the album, playing all of the instruments themselves.

“It’s organic pop music,” CABRERA declares. “Justin and I hit it off immediately. We were in a room together, jamming on everything. We weren’t trying to be anything or fit any kind of mold. It was just music we dug. I started writing all of these fun, positive, and uplifting songs. My whole perception had changed. Every song tells its own story.”

The first single released, “House On Fire,” shimmies from a percussive tribal intro into an incendiary refrain. He smiles, “It’s about burning everything down and being crazy while you can. You’re living in the moment and enjoying everything you do. A lot of people are afraid to let themselves go, be passionate, and express their feelings. You’ve got to burn it all down—even if just for one night. Let loose and go nutty! It feels great.” Fans and media have raved about “House On Fire;” People Magazine wrote “Cabrera delivers his catchiest hooks” since “On The Way Down” and Perez Hilton proclaimed it “the best song Cabrera has ever released.” House on Fire was also a #1 Billboard Dance Chart song and regular on numerous Spotify playlists during the summer of 2015.

At the same time, CABRERA still knows how to write a touching love song. “All We Have” captures a distinct moment that’s both heartbreaking and hypnotic. “That’s one of the love songs,” he sighs. “It’s about that relationship that got away. Maybe you made a mistake. Now, you’re making your plea about why you should be together. You admit you’re wrong, but you still want to be together.”

Ultimately, this is the real RYAN CABRERA. He doesn’t hold anything back, and he’s created his most uplifting and powerful music to date.

“I want the music to speak for itself,” he leaves off. “My career has been about a lot of things from the outside. The focus unfortunately shifted to what my hair was like or who I was dating. That’s not why I started playing music. It’s always been about the music. That’s it. It’s not about being a pop singer. It’s about being an artist. I want people to think of the songs before they think of me. It starts now. This is going to be a fun ride.”

In 2016 CABRERA became part of the highly successful My2K Tour alongside 98 Degrees, O-Town and Dream. The 38 date Amphitheater Tour covered the entire North America. CABRERA received rave reviews playing all the hits as well as his new single “Whatever Whenever”.

CABRERA most recently has been writing for and with numerous other artists and has been amassing a catalogue of new songs which feature collaborations with Nash Overstreet, TyDi and more. The song of this new music, “Whatever Whenever” was released on August 19th, 2016.

In 2017 CABRERA went on a US and Canada tour, as well as a being a SKAM ARTIST DJ who did over 20 shows including the pre-party for the National Championship Game in Atlanta – Kendrick Lamar was halftime act. CABRERA has also been co-writing songs for numerous A lists artists which will be released in 2018/19.  He is currently on a 20+ date solo headlining Tour as well as a part of POP2K and will be co-headlining this fall with a special guest. When not on the road, he is working on a new project (a duo w. Nash Overstreet) called VACA as well as in the studio developing 14-year-old Rachel Harris.

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Rylee Anuheakealaokalokelani Jenkins was born and raised in Makawao on the island of Maui. The eldest daughter of a P.E. Teacher and a hairdresser, Anuhea was actually immersed in sports more than music growing up, and it wasn’t until middle school that she found her passion for performing arts. She began boarding at the prestigious Hawaiian school Kamehameha Schools from grade 7, and began acting in school plays and musical. She  found a passion for video production and  received multiple college scholarships for Film School at Chapman University in Orange County, CA.  A self taught guitar player, she learned of her passion for songwriting after her first big heartbreak.. and after a soul searching backpacking odyssey in Australia, she realized that Film School wasn’t for her. Anuhea decided to pursue her newfound passion for MUSIC full time.

Anuhea continued this soul-searching odyssey back in the islands for a bit, pushing herself outside her comfort zone yet again. Not the pageant-girl type whatsoever, and with zero  experience, Anuhea signed up to compete for the crown of Miss Hawaii in the Miss Maui Pageant. (She walked away with second runner up and the trophy for Miss Congeniality.) Anuhea then decided to move to a city that had always fascinated her: San Francisco. Her life there was filled with open mic’s, attending live music concerts, gathering inspiration, and writing writing writing. She posted videos and snippets of her blossoming music on YouTube and Myspace. She acted as her own manager, promoter and booking agent, burning CD’s on her home computer filled with songs that she created herself on garage band and at public radio stations. Anuhea began to chart on the Myspace charts for unsigned artists in Hawaii, and began to gain some recognition and buzz. She was introduced to a man named Warren Wyatt through her Aunty Nalani (founding member of legendary Hawaiian trio Na Leo Pilimehana). Together, they decided Anuhea was ready to get into a REAL studio. They sent Anuhea to Los Angeles where, along with producer Drew K, she honed in her skills, gathered her thoughts, and found her voice as a singer and songwriter.  Anuhea then had her very first REAL collect Warren Wyatt remains Anuhea’s manager and business partner till this day.

Her first album “Anuhea” came out in 2009, and created a name for the young songbird. Anuhea’s self titled debut album charted in the top 10 on the iTunes Pop charts, charted on the Billboard Hot 100 charts, and won Anuhea two prestigious Na Hoku Hanohano Awards. It was featured in Honolulu Magazine’s 25 Greatest Hawaii Albums of the New Century.

Her second album “For Love” released in 2011 secured Anuhea as a Hawai’i radio staple. “For Love” features some of island music’s favorite radio hits including “Higher than the Clouds” “Simple Love Song” and “Come Over Love”. These songs helped Anuhea and her music get featured on episodes of Hawaii 5-0, an array of commercial work, and procured her as the face (and voice) of Cargo Cosmetics Spring/Summer 2017 make up line.

This multi-faceted artist/musician is also a mommy. Her son Ikena Jack has toured with his mama, and continues to be her inspiration and motivation throughout her songwriting. After releasing a live album in 2012 (Butterflies: Live), and two EP’s in 2013/2014 (“Shoulders” and a Christmas album “All is Bright”) Anuhea signed with SRG Entertainment group for a step in a new direction. Her latest album “Follow Me: Deluxe Hawaii Edition” released in 2018, and features songs co-written and produced with a style that have pushed Anuhea’s island pop style limits to a new brink.

True to herself, Anuhea’s songs are open, honest, vulnerable, and at times cheeky in songwriting, yet always delivered in her signature Pop, R&B and Reggae musical style.

Anuhea has toured throughout the years across the world, sharing the stage with Bruno Mars, Jack Johnson, Ziggy Marley, Babyface, Sugar Ray, and so much more. She headlined the 2011 ProBowl Halftime show at Aloha Stadium, and sang the National Anthem at a Golden State Warriors vs Blazers NBA game, as well as her favorite football team the Minnesota Vikings vs. Seahawks game. She is featured on songs with reggae bands SOJA, JBoog and Katchafire, and continues to write and record in her off time. Anuhea recently SOLD OUT all 4 of her shows at the Blue Note Napa during Labor Day weekend. After this Blue Note Hawaii Thanksgiving Week Celebration, she will embark on her annual All is Bright Holiday Tour across the West Coast of the U.S this December.

On a philanthropic front, Anuhea recently started the Aloha Always Foundation, which seeks to inspire, educate and empower Hawaii’s youth by granting scholarships for higher education. Through her fundraising efforts, Anuhea was able to award 8 deserving Hawai’i students with cash scholarships to pursue their education goals. More info on Anuhea’s Aloha Always Foundation and its efforts:

Doors 6:30PM | Opening Act 7:30PM | ANUHEA on at 9PM

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T.S.O.L. are an American punk band. T.S.O.L. is short for True Sounds of Liberty although they are rarely referred to by their full name. Although most commonly associated with the burgeoning West Coast hardcore punk movement of the late 1970s and early 1980s, T.S.O.L. have released music in the styles of both punk and hard rock. Formed in 1979 and hailing from Long Beach, California, T.S.O.L. developed from earlier bands Johnny Coathanger & the Abortions and Vicious Circle.

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~ About Led Zepagain: Tribute to Led Zeppelin ~

Led Zepagain (stylized Led ZepAgain) is an American hard rock tribute band to Led Zeppelin, formed in Ventura, California in 1988. The current band consists of vocalist/harmonica player Swan Montgomery (“Robert Plant”), Guitar/ Mandolin Anthony David (“Jimmy Page”), bassist/keyboardist/mandolinist Jim Wootten (“John Paul Jones”) and drummer/percussionist Derek Smith (“John Bonham”).

Having formed in 1988, Sony recording artists Led Zepagain have become highly regarded as the most accurate and authentic replication of Led Zeppelin in the world today. With well over a million downloads on iTunes to their credit, Led Zepagain’s popularity has also seeped into pop culture by having been mentioned on the network TV shows “The Gilmore Girls”, “Chicago Fire” and “Bad Judge” !

In January of 2004, Led Zeppelin guitarist Jimmy Page himself attended a Led Zepagain show at the House of Blues in Los Angeles. He was absolutely astonished at the bands accuracy stating “It’s amazing how much you sound like us. You must have grown up on this because you were inside the music, and you paid attention to detail in your presentation…I can tell you guys really love our music!”

This encounter led to the members of Led Zepagain attending Led Zeppelin’s 2007 Reunion Concert at London’s O2 Arena by invitation of Mr. Page as well as a surprise visit from Jason Bonham in March of 2009 as he sat in with the band on their encore performance of the song “Rock and Roll”. http://www.youtube.com/watch?v=2w6noToYSqQ

Led Zepagain was honored to have been featured on AXS TV’s “World’s Greatest Tribute Bands” in 2014, and were asked to come back for an encore performance in March of 2017 to perform the iconic Led Zeppelin lV album in it’s entirety.

Having played nationally and internationally in such places as Japan, Russia, Ireland, Alaska, Germany, Bosnia, Peru, Canada, Kosovo, Mexico City Guam, Brazil, Panama, Chile, Argentina, Uraqury, and Paraqury, Led Zepagain regularly performs to packed houses all over the world. We guarantee that from the sound and the look, to the vintage equipment and costuming, Led Zepagain will be the closest thing that you will ever see to a live Led Zeppelin performance! Come on out and see what Jimmy Page was talking about.

Led Zepagain will prove that although the band members may be different, The Song Remains The Same.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

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  Buy Tickets to See METALACHI Here! 

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HINDER

Multi-platinum American rockers, HINDER, continue to drive a career of longevity that few bands achieve. Their stats resonate just that, selling over 4 million albums and 10 million singles, garnering north of 150 million video views, and passing the 100 million streams mark. Throw on top the endless energy HINDER has brought to over 15 headlining tours and you can see why they are still rocking.

August 11th of 2017 brought another career highlight. The release of their 6th Studio album, coincidently titled THE REIGN, on The End Records/BMG. This would be their 3rd release with the New York based record label, preceded by HINDER’s first ever acoustic EP STRIPPED on May 13, 2016. Their 5th full-length studio album When The Smoke Clears entered the Billboard 200 while also claiming four other Top 10 chart positions upon its on May 12, 2015.

As one of the few rock bands to grab massive cross-over success, HINDER’s 2005 debut album, Extreme Behavior, climbed to #6 on the Billboard 200 chart and was the 2nd Top Rock Album. Get Stoned would be the album’s first radio single, climbing to a #4 mainstream rock spot. What followed would end up being one of the biggest songs of the year, Lips of an Angel, which peaked within the top 10 across several Billboard singles charts, including #1 at Top 40 and Pop 100. Extreme Behavior has since been certified 3x Platinum.

In 2008 their sophomore effort, Take It To The Limit, surpassed their debut by peaking at #4 on the Billboard 200 and hitting the Mainstream Rock chart at #3 with single Use Me. This solidified HINDER as the biggest new breakout rock act and catapulting them into packed arenas worldwide with the likes of Aerosmith, Mötley Crüe, Nickelback, 3 Doors Down, Papa Roach, and many others. HINDER proved consistent record hit making by following up with a #1 Top Modern Rock/Alternative Album, All American Nightmare (LP 3), and a #3 Top Hard Rock Album, Welcome To The Freakshow (LP 5).

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GARY PUCKETT has performed on more than thirty network television shows and prime time specials during his career, even adding a command performance for the President and Prince Charles at the White House. The Union Gap disbanded in the seventies. In 1974, “Young Girl” was reissued in England where it received a silver record award for attaining a top five position on the pop charts, several years after its initial release.

Gary continues to tour nationally & internationally, has a new album out now, “GARY PUCKETT – LIVE”, and has recently released his first ever Christmas CD, entitled “At Christmas”.

Gary currently resides in Clearwater, FL with his wife and family.

Did you know that…

In 1968 Gary Puckett and The Union Gap had six consecutive gold records and sold more records than any other recording act…including the Beatles.

They played a command performance at the White House for Prince Charles and Princess Anne by special invitation of the President.

Gary Puckett and The Union Gap was one of a very select group of touring acts to achieve prominence worldwide.

In 1971 Gary disbanded The Union Gap

In 1974 “Young Girl” was reissued by popular request in England where it reached number five and achieved a Silver Record Award for the second time. This is a full six years after the song was initially released.

The Gary Puckett and The Union Gap’s “Greatest Hits” album is one of CBS’ best selling “Collector Series” albums today.

In 1986 Gary was invited to tour with the Monkees on their national reunion tour, which established itself as a major hit of the 1986 touring season.

In 2001, Gary has released his latest CD, “In Europe”. Originally recorded in Europe, this CD has new versions of “Young Girl” and “Lady Willpower”,with a European flair.

In August 2001, Gary released his first ever Christmas CD, called “At Christmas”. This CD, available exclusively at GaryPuckettMusic.com, is a beautiful collection of traditional Christmas songs….Well worth the wait.

In March 2002, Gary released “Live”, a collection of hits recorded live and featuring the song ” Home “, dedicated to the men and women defending our country with their lives.

Doors 6:30PM | Opening Act 7:30PM | Headliner 9PM

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Tables are available for reservation. Call the box office for more information.

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