Shows & Tickets

WYNONNA & THE BIG NOISE:

Respected by the millions of fans who are drawn to her music and undeniable talent, Wynonna’s rich and commanding voice has sold over 30-million albums worldwide spanning her remarkable 34-year career. As one-half of the legendary mother/daughter duo “The Judds,” Wynonna was once dubbed by Rolling Stone as “the greatest female country singer since Patsy Cline.” This iconic performer has received over 60 industry awards, with countless charting singles, including 20 No.1 hits such as “Mama He’s Crazy,” “Why Not me,” and “Grandpa, (Tell Me ‘Bout The Good Ole Days).”

Wynonna and her band The Big Noise, led by her husband/drummer/producer, Cactus Moser, released their debut full-length album in February 2016 via Curb Records to critical acclaim. Wynonna has described the new sound as “vintage yet modern” and a “return to the well.” It’s a rootsy work encompassing country, Americana, blues, soul and rock. The album features special guests Derek Trucks, Jason Isbell, Susan Tedeschi and Timothy B. Schmit. NPR’s Ann Powers noted that, “With her tight band behind her after touring together for several years, she just sounds like she’s home…You can just feel the grin on her face.”

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$50 | $60 | $70+ applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to See WYNONNA & THE BIG NOISE Here! 

Blown Away-Carrie Underwood Tribute

BLOWN AWAY is the #1 tribute to the top Female Country Pop Country Singer of the Decade featuring the Talents of Amanda Kate and The Country Club Band

Doors 6:30PM | Opening Act 7:30PM | Headliner 9:00PM

$20 | $30 | $40 +applicable fees

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to see Blown Away-Carrie Underwood Tribute Here! 

A story behind every song…

Dave Wakeling is a hell of a nice guy! Dave loves to tell you the stories behind his songs, either from stage or after the show. Ask any one of the thousands of fans who have met him over the years and that’s what you’ll hear. Never mind that Dave is the singer/songwriter from two of the most popular bands of the end of the millennium, The English Beat and General Public, he’s a stand up man from Brum. Whether it’s the personal as political in How Can You Stand There, making politics personal in Stand Down Margaret, taking a stand against global warming as he did making Greepeace’s Alternative NRG, or helping little kids stand tall with Smile Train, Dave has always stood for something.

And like the might Redwoods of his adopted home of California (dude!), it’s easy for Dave to take a stand because of his strong roots…

Hailing from working-class Birmingham, England, Dave and The English Beat entered the music scene in the troubled times of 1979. When The English Beat rushed on to the music scene it was a time of social, political and musical upheaval. Into this storm came they came, trying to calm the waters with their simple message of love and unity set to a great dance beat.

The six member band consisted of singer/songwriter Dave Wakeling (vocals & guitar), Andy Cox (guitar), David Steele (bass), Everett Morton (drums), Saxa (saxophone) and Ranking Roger (toasting). The band managed to fuse all of their respective musical influences – soul, reggae, pop and punk – into a unique sound that was highly danceable. Along with contemporaries such as The Specials, The Selecter and Madness, The English Beat became one of the most popular and influential bands of the British Two Tone Ska movement.

Over the course of three albums, The English Beat achieved great success in their home country, charting several singles into the top 10. In addition to their UK chart success, in America the band found a solid base of young fans eager to dance to the their hypnotic rhythms and absorb their message of peace, love & unity. Their constant touring with iconic bands such as The Clash and The Police helped to boost their popularity in the States.

Despite his huge success, Dave didn’t stop singing and acting on the problems caused by what he called the “noise in this world”. The band donated all the profits from their highly successful single version of “Stand Down Margaret” to the Committee for Nuclear Disarmament. They donated their music to causes including the anti-nuclear benefit album “Life in The European Theatre”, “The World of Music and Dance” album focusing on indigenous people’s art, and lent their voice to The Special AKA’s anthemic song of freedom “Free Nelson Mandela”, to name but a few.

Dave Wakeling once told me that every great band only has three really good albums. And true to form, The English Beat disbanded in 1983, after their third album, “Special Beat Service”.

The end of one chapter and the beginning of a new one…

It was at this point that Dave recruited Roger, Stoker (drums) and Mickey Billingham (keyboards) of Dexy’s Midnight Runners, Horace Panter (bass) of The Specials, and Clash guitarist Mick Jones to form a new band: General Public. Their first album, All The Rage, met with phenomenal success, charting high in the U.S., U.K. and even winning the band a coveted Juno award in Canada for Best New Artist in 1984.

After the fantastic success of All The Rage, Dave spent two years writing and recording the follow-up album, Hand to Mouth. Like Wha’ppen before it, this sophomore effort was more introspective, taking fans along with him on Dave’s continual exploration of the light and dark side of human emotion. The album was a critical and fan favorite, and spawned two hit singles, Too Much or Nothing and Come Again.

After the second General Public Album, Dave decided to go in a different musical direction and follow his own muse. Having previously worked in Hollywood with John Hughes on his iconic film Ferris Bueller’s Day Off, Dave returned to work for the silver screen, producing the soundtrack and recording the title track for Hughes 1988 film She’s Having a Baby. After that he recorded his first solo record, No Warning. The album maintained the pop sensibilities for which General Public had been known, and in addition exposed even more of the mind and emotions of the man behind it all.

Forward as one…

After his solo album, Dave decided to put his notoriety to good use, and pursued a full-time position saving the planet at a job with Greenpeace. This didn’t mean a break from music, just a break from being the lead singer, as he stepped inside the mixing booth to produce the Greenpeace album Alternative NRG.

What made this album outstanding and ground breaking was not just the outstanding roster of rock luminaries Dave convinced to appear on the album, including REM, U2, Midnight Oil, UB40, Annie Lennox, and Sonic Youth, to name a few, but the fact that it was recorded in 14 separate venues across America using a recording truck powered exclusively by solar power – a 160 square foot, 1,920-watt solar panel array contained in a trailer known as Cyrus. The power produced by the solar array, once converted to AC (the sun is DC), generated enough electricity to meet the needs of an average-size house for several days, and was proof positive of the viability of solar and other forms of alternative energy.

I’ll take you there…

After a metaphorical bump on the head from Elvis Costello for abandoning his post as crooner (a true story, ask Dave about it some time), Dave felt the need to “take us there” one more time. Dave teamed up with old friends to reform General Public and wrote and released his third GP album, Rub It Better, in 1995. The album and Dave’s return to the stage were met with an outpouring of critical raves and fan support. The album provided yet another hot single for Dave, with his infectious reggae remake of an old Staples Singers song, I’ll Take You There, climbing the singles charts and anchoring the soundtrack of the very hip, box office hit Threesome, starring Lara Flynn Boyle, Stephen Baldwin, and Josh Charles.

Having stricken a whole new group of fans with Beat-madness, Dave then disband General Public in 1996. However, true to his philanthropic bent and always looking to help other musicians out, Dave reformed GP in 1998 to play a benefit concert for Sweet Relief, a wonderful grassroots organization that provides assistance to career musicians.

The English Beat goes on…

Having accepted and embraced his true calling again (thanks Declan) , Dave continued to perform, touring back and forth across the States. Dave did it old school, touring clubs and playing countless gig from sea to shining sea, re-connecting with his Beat and General Public fans and building a strong and loyal fan base that continues to love his songs and embrace the evolution of his music.

Then, in February 2003, we saw a dream come true for Dave and many Beat fans as the band reunited (no, not on that show) for a mini-tour in the UK, which culminated in their sold-out command performance at the Royal Festival Hall! Dave, Everett, Roger, Blockhead and the star of the show, Saxa, took the crowd by storm! It was a magical homecoming for Dave and a really wonderful experience for the fans, with band members and fans gathering from around the globe for a night or irie, ska-ful rock-steady Beat! Being the hard driving ska legend that he is, however, Dave Wakeling was not content to rest on his laurels after the RFH reunion…

Beat this!

Tongue firmly in cheek, feet on the ground and eyes on the future, Dave takes the stage time and again, touring across the States, Canada, the UK and beyond. He does it for two reasons. First, he loves to play music, period. Second, he sees his job here on Earth to be bringing a message of love, unity and a steady, rhythmic groove of danceable songs with a message to the masses. Fans see him as an icon and to the young bands coming up he’s the elder statesman of ska. His swooning croon has been covered by such rock luminaries as Peter Townshend, Eddie Vedder and Elvis Costello.

He’s repeatedly referred to in the press now as a “legacy artist” and an “icon”: he’s wasn’t quite sure what it all meant and thought he might be entitled to some extra initials after his name (he wasn’t).

However, he learned what those terms actually mean early in 2006 when, much to his surprise, bemusement, and eternal joy, the Rock & Roll Hall of Fame contacted him and asked him for his trademark Vox teardrop guitar, to be displayed in a place of honour alongside the axes of Jimi Hendrix and Nirvana’s Kurt Cobain. Truly a wonderful and humbling experience for a working class boy from Brum!

Dave is currently entering a musical renaissance and, still enjoying that legacy moment, he’s now planning on going into the studio to lay down a new album. Dave also continues to tour as The English Beat, as he had done for the last three decades, with an amazing all-star ska backing band (featuring players from The English Beat, General Public, and guest stars from the likes of The Specials, The Selecter, and other 2Tone bands) playing all the hits of those bands and his new songs. Expect the unexpected and prepare to be blown away by the ever-changing King of Ska!

One thing that hasn’t and won’t change though, Dave Wakeling remains a hell of a nice guy.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$28 | $38 | $48+ Applicable Fees

Tables are available for reservation. Call the box office for more information.

  Click Here To Buy Tickets To See The English Beat! 

Born and raised in the San Francisco Bay area, Dave Brock left Northern California in the 1980s to attend school at Long Beach State University.

While in college, Dave landed the lead role in The Jim Morrison Rock Opera as the poetically tragic lead singer of The Doors. The late singer’s sister, Anna Morrison Graham, and her husband Allan produced the production. Before the production’s debut, Brock was featured in many major publications including: Rolling Stone Magazine, The Los Angeles Times Calendar and Bam Magazine. There was quite a buzz in the industry about this production and Dave proved to be quite a good vocalist and performer when the production was ready for the public.

After the conclusion of Rock Opera, Dave formed his own live musical stage show performing the music of The Doors called “Wild Child.” The live concert show landed at the world famous Whisky a-go-go on the sunset strip on July 3rd, 1986. It was a triple sellout on its very first night. Reviews poured in calling this new show a “must see”.

The LA Times said, “Wild Child is a winner! What’s amazing is that vocalist Dave Brock sings like Morrison, enough to imperil the snowflake analogy about no two sets of vocal chords to be able to produce the exact same vocal tone.” The Daily Bulletin said “Brock, who bears more than a passing resemblance, evokes the Morrison persona without being forced.” Jim Ladd, the famous Los Angeles KLOS FM radio DJ and Rock and roll critic described Wild Child to his listeners. “These Guys are excellent, not a cartoon version of The Doors but a very loving and respectful, accurate and well done tribute to The Doors.”

Since Wild Child debuted, the act has been touring and playing at sold out national act venues and festivals around the world. Wild Child became the mold that “tribute bands” aspired to become, as they flooded the market in the 1990’s with good and bad impersonations of famous artists.

In 1992, Brock was also noticed by film Director and Producer Robert Zemeckis and played the part of Jim Morrison in the comedy film “Death Becomes Her.”

In 2010 Ray Manzarek and Robby Krieger of The Doors, invited Dave to tour with them as their vocalist on their concert engagements. This was perhaps the best compliment Dave has ever received from anyone for his work. He presently tours with them.

In recent years, Dave has picked up the game of golf and has become a low handicapper. Dave’s interest in the game has also led him into avenues of Charity and Pro-Am Golf events. Dave participated in The Bill Clinton Humana Challenge Pro-Am PGA Tour in 2013 at PGA West, The Patrick Warburton Celebrity Golf Tournament for St Jude Kids and The Scott Medlock – Robby Krieger St. Jude Invitational.

Dave currently resides with his family in Southern California, tours with Ray Manzarek and Robby Krieger of The Doors and with Wild Child.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$20 | $30 | $40+ applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to See Wild Child – A Jim Morrison Celebration Here! 

One Drop Redemption, Bob Marley & The Wailers Tribute is led by Jamaican born singer/songwriter Jahmark Tafari. This band’s performance gives one the impression that it’s 1978, and they’re in the audience listening to Bob Marley performing his classic tunes! Voted #1 Bob Marley & the Wailers Tribute band by Gigmasters. com; one of the nation’s largest online booking services. As Bob Marley once sang, “Feel it in the One Drop…that’s where you’ll find your Redemption!”

Andrew Bees – Lead Vocals
Errol Bonnick – Lead Vocals
Jeff Douglass – Keys/Vocals
Cedric Bravo – Sax/Vocals
Ducc Arnold – Drums
Jonzie Mann – Bass/Vocals
SubaDread – Lead & Pick Guitars
Ladee Dee – Princess/Background Vocals

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$15 + applicable fees

Tables are available for reservation. Call the box office for more information.

Buy Tickets to One Drop Redemption Here!

Raised on the beaches of Southern California, Aaron Smith is a rapper, actor, musician, and father who became known to the world simply as Shwayze following a massive music breakout in 2008.
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The Malibu native released his debut album Buzzin’ that summer with singer-producer Cisco Adler.  The duo hit the road immediately on the Vans Warped Tour wearing skinny jeans, and singing about lost weekends in Hollywood, all while bringing the most legendary parties with them wherever they went.

Shwayze has since gone on to work with an array of producers and release several independent albums such as Shwayze Summer on his self-funded Feel Good Entertainment Music label.  He continues reinventing his sound while staying true to the influences that brought him where he is today.

The past decade has boasted an impressive resume including a top 10 album, Billboard chart topping singles including ‘Buzzin’ and ‘Corona & Lime,’ a rock-doc reality show on MTV, and a number of roles in feature films and major network television- all while living on the road much of the year touring the world.

Shwayze continues to play more than 200 shows a year and with each year he finds new territories and fanbases to connect with.

Summer 2019 will mark the highly anticipated return of Shwayze’s next full length EP, a project fans have been anxious for and will mark the next chapter of a storied career.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$15 | $25 | $35 + applicable fees.

Tables are available for reservation. Call the box office for more information.

  Click Here To Buy Tickets To See SHWAYZE! 

The Long Beach Dub Allstars are a dub/ska/rock band formed in 1997, disbanded in 2002 but on September 1, 2012, Long Beach Dub Allstars played their first show in 11 years at the Queen Mary Events Park next to the Queen Mary in Long Beach, California, where they opened for The Wailers and played alongside Tribal Seeds. Then on September 30, 2012, Long Beach Dub Allstars performed at the Yost Theater in Santa Ana, California, where they opened for Fishbone. They played another show at the Brixton Southbay in Redondo Beach, California on January 25, 2013 with the local Redondo Beach Band Special “C”. The reunion lineup consists of Marshall Goodman “Ras MG” on drums, Michael “Miguel” Happoldt on lead guitar/vocals, Opie Ortiz on vocals, Jack Maness on vocals/guitar/keys, Tim Wu on sax/flute/vocals, and Edwin Kampwith on bass.

Although there is no set release date, be on the lookout for some new music coming from the Long Beach Dub Allstars in the future. When asked what kind of style the fans could look forward to hearing in the new material, Jack Maness stated, “We’re doing some of the things that we’re true to and we’re also expanding into some other stuff.”

According to Opie, they are currently doing some home recording but will definitely be looking to get into a studio. “Where ever we can get a good sound” is what was said in regards to that. Without giving too much away, the Long Beach legends hinted that we can expect some guest appearances on their new releases from artists they have worked with in the past, as well as new artists that they have plans on working with in the future.

$18 | $28 | $38 + applicable fees.

Tables are available for reservation. Call the box office for more information.

Buy Tickets to Long Beach Dub Allstars Here!

“Some people are impressionists. These guys leave an impression”.  Says Bill Miller, owner of Johnny Cash.com about Cash’d Out (Douglas Benson vocals, George Bernardo drums, John Heussenstamm guitar, Nate Lefranchi bass), a San Diego based band that channels Johnny Cash in about as close a manner to the real thing as it gets.

After thirteen years, traveling hundreds of thousands of miles on the road and winning over as many fans, fans who still continually tell the group how grateful they are that Cash’d Out so rightously carries the torch of the Johnny Cash Show.

Besides music critics anointing Cash’d Out as “the next best thing to Johnny Cash”, their highlights have been many:

W.S. Holland, Johnny Cash’s longtime drummer, has sat in with Cash’d Out;  front man, Douglas Benson, has played Johnny’s cherry sunburst Guild guitar (courtesy of Mr. Miller);  “Cindy Cash came to a show and was moved to give me a glass locket that was her father’s,” explains Benson;  Longtime Johnny Cash manager Lou Robin has also been to several Cash’d Out shows and claimed that if he closed his eyes it was as if “going back in time.”;  And most recently, an unforgettable evening performing the music of Johnny Cash with the San Diego Symphony as a special event for their Summer Pops Series.

The band’s live shows respectfully reference the late, great Man in Black’s Sun Records and early Columbia era sound, combined with the energy of the classic multi-platinum live recordings from Folsom Prison and San Quentin. The group’s genuine love (and authentic recreation) of Johnny Cash’s music and its universal appeal fans of all ages and of virtually all musical genres makes each Cash’d Out show a must-see event.

Or as Bill Miller says, “Some people are impressionists. These guys leave an impression.”

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$15 | $25 | $35+ applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to See Cash’d Out Here! 

Which One’s Pink?” is a critically acclaimed Pink Floyd tribute band based in Southern California. Since its formation in 1998, Which One’s Pink? has performed hundreds of shows throughout the southwestern United States. The band performs note-for-note recreations of most of Pink Floyd’s extensive catalogue, including complete performances of classic albums such as Dark Side of the Moon, The Wall, Wish You Were Here, and Animals. Lead Guitarist and Vocalist Paul Samarin emulates the sound and intensity of the original Pink Floyd vocals and captures the soaring beauty of David Gilmour’s legendary guitar solos. Which One’s Pink? is a remarkably accurate and highly-charged live performance of some of the greatest music to come out of the classic rock era. As Alan Parsons – the recording engineer on Pink Floyd’s “The Dark Side of the Moon” — says “Which One’s Pink? has all the parts down, the sounds, the solos . . . they pull it off, they really do . . . they easily could be in the same room with Pink Floyd . . . if you close your eyes, you’re hearing Pink Floyd, live” In 2010, Which One’s Pink? released a 13 song recording in tribute to Pink Floyd entitled “Just the Basic Facts.”

Which One’s Pink? is: Marty Brummer – drums Larry Isenberg – keyboards and vocals Paul Samarin – lead guitar and lead vocals Allen Moreno- guitar Scott Richards – bass guitar and vocals Nick Feduska – keyboards Tali Azerad – backing vocals Sharon Fatoorechi – backing vocals Dan Johnson – sound effects, schoolmaster rant.

Spanning generations of acoustical rock, the sound of Neil Young has covered many genres. “Hello Mr. Soul” graciously gives tribute to Neil’s earliest two decades from Buffalo Springfield through the era of MTV’s unplugged.

“Hello Mr. Soul” is an all acoustical rebirth of the genius of Neil Young, performed by Gary Wahlenmaier. It is a relaxed, intimate performance that allows the listener to relive a simpler time, and a new high for the young.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$20 | $30 | $40+ applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to See Which Ones Pink: A Tribute to The Music of Pink Floyd Here! 

Catch 40 oz. to Freedom live & in concert during their Current Tour. Enjoy a professional tribute to Sublime with the greatest hits from now & then.

40 Oz to Freedom won the 2010 San Diego Music Award for Best Tribute and has toured the entire US and Canada, developing one of the largest tribute band followings in the world. 40 oz. to Freedom is true to the So-Cal vibe with thumping bass lines, rad beats, and shredding guitar riffs topped off with soul quenching vocals.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$13 / $18 / $28 + applicable fees.

Tables are available for reservation. Call the box office for more information.

  Click Here To Buy Tickets To See 40 Oz To Freedom! 

Backwoods bravado, patriot’s pride, country soul, keg-thumping beats — these are the qualities that Moonshine Bandits have championed since they began their journey. Armed with a hybrid arsenal of country and hip hop fusion, the California duo of Dusty ‘Tex’ Dahlgren and Brett ‘Bird’ Brooks are back with the grittiest, spirited and distinctly grass-roots release of their sixteen year campaign of musical badassery – “Gold Rush.”

If you ain’t about this life then you ain’t about shit.” – From the Track ‘Mud Money’ on the Moonshine Bandits latest release ‘Gold Rush”’

Since their formation in Los Banos California in 2003 the Moonshine Bandits have continued a campaign of crossover genre-bending musical mayhem that appeals to the eclectic, color-outside-the-lines tastes of listeners, aka The Shiners, and they fiercely refuse to have their tastes confined and filed into categories. “Our musical style has always been full throttle and in your face,” says Moonshine Bandit Tex. Just like the rumrunners, bootleggers, smugglers and outlaws of old – the Moonshine Bandits provide a supply of the goods for the demand, defying the mandates and trends of mainstream pop culture.

The course of their career has seen ups and downs, hard partying and self-reflection. The Moonshine Bandits have crisscrossed the country performing hundreds of shows a year, ventured into branding their own beef jerky and moonshine, collaborated with some of the music business’s most prolific artists, outshined in the face of record industry roadblocks, earned a fiercely loyal fan following, and embrace the unconventional. Hell, they’ve even had the honor of friend and adult film legend Tera Patrick spicing up a music video! It’s all part of a journey filled with good, bad and even some ugly, but ultimately the Moonshine Bandit philosophy is summed up by Tex and Bird’s joint statement – “We always felt there aren’t stops or boundaries if you pave your own lane.”

And now the Moonshine Bandits have hit the proverbial motherlode with the release of Gold Rush on their very own record label MSB. Taking its inspiration from all that embodied the struggles and successes of America’s extraordinary era when dreams were being made while hunting for that elusive precious gem. It wasn’t entirely about the dollar sign though. The Gold Rush was far more dynamic in terms of the greater meaning and effect it had on all those who took part. Big or small, bust or windfall, for many people the Gold Rush ultimately provided the experience of building a new life in a wild place that had a code of its own.

“Our Gold Rush wasn’t always about the glitter because we took the long haul,” Tex says, and just like many of the hopeful dreamers who panned the creeks of the old west’s badlands, the Moonshine Bandits encountered their share of setbacks but never quit. “We got in the trenches,” Tex continues, “learned and got burned.” The group’s Gold Rush reflects on a career that wasn’t about following some set of rules; this is about living by a code. Now with the debut of their own label, the group can fully exercise that code. “There’s a right way, a wrong way, and now there’s our way.” Characterize it as rebellion, call it anti-establishment, or perhaps it’s a little bit of symbolic of an elusive time when there actually was Honor among thieves, but the Bandits simply see it as lessons learned from experience.

Thematically, Tex and Bird describe the Gold Rush album as homage not only to the band’s career journey but also, and profoundly, “a journey about the people we have come in contact with. The people that inspire our songs.” This is especially true of the track “Two Bar Town” which speaks volumes of the brick and mortar, mom and pop’s, local friends and corner watering holes that truly provided the foundation of everyday life, culture and economics in America. Tex says the theme is all about the ‘small town’ and despite the fact that ‘small towns’ have naturally changed with time that “doesn’t mean you have to, you can still be proud of where you came from and keep those memories forever.”

Long before people figured out country and rap had a lot in common, the Moonshine Bandits released their genre-blending album, “Whiskey & Women,” and took the world of outlaw music by storm. The group’s blue-collar work ethic and unwavering persistence has led to over 60 million views on the ShinerTV YouTube channel – collectively over 80 million views on YouTube – while their video for “My Kind of Country” peaked at #1 on CMT Pure. The Bandits also charted Billboard simultaneously with a top 10 in Rap and a top 20 in Country Music and have been Recognized by Rolling Stone Magazine, CMT, Youtube Honors, MTV, AOL THE BOOT, YAHOO, and the list goes on. Connecting with fans on all levels, Moonshine Bandits have built a solid “Shiner Nation” of loyal fans, started their own 501 (c) 3 non-profit organization known as Operation Packing Company, Inc. that specializes in sending supplies to our Troops Overseas, Beef Jerky and legal Moonshine. The Bandits earned a 2018 Telly Award for their “Take This Job” music video featuring David Allan Coe

Doors 6:30PM | Opening Act 7:30PM | Headliner 9PM

$18 | $28 | $38 +applicable fees

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to Moonshine Bandits Here! 

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$30 + applicable fees

Tables are available for reservation. Call the box office for more information.

Buy Your Reverend Horton Heat Tickets Here!

From early days growing up in the southeast Los Angeles suburb of Downey, California under the tutelage of T-Bone Walker and Big Joe Turner to their emergence as central figures in the eclectic LA punk/rock scene of the early ‘80s to their current status as internationally-renowned influences in their own right, the Blasters have spent their lives exploring and expressing the deep and diverse musical legacy that is best described by the title of their first album: American Music.

A performance by today’s Blasters––vocalist-guitarist Phil Alvin, drummer Bill Bateman, bassist John Bazz, and guitarist Keith Wyatt––reflects influences that range from George Jones and Carl Perkins to Howlin’ Wolf, James Brown and Bo Diddley. The band’s 1980 debut album American Music (Rollin’ Rock) was a powerful collection of fresh, distinctive performances that shattered the artificial boundaries between blues, rockabilly, country, R&B and rock & roll. The next three albums for Slash/Warner Bros. (The Blasters, Non-Fiction, and Hard Line) increasingly featured the unique songwriting voice of original guitarist Dave Alvin as the band’s lineup expanded to include pianist Gene Taylor plus saxophonists Steve Berlin and New Orleans legend Lee Allen (“the man who put a saxophone in rock & roll”). As the Blasters’ fame grew, they began to draw accolades from artists as diverse as Bruce Springsteen, Eric Clapton and Queen, and in turn the band encouraged and supported still up-and-coming LA musical peers such as Dwight Yoakum and Los Lobos

In 1986, Dave Alvin left the band to pursue a solo career, and over the next decade a series of renowned guitarists including Billy Zoom, Michael “Hollywood Fats” Mann, Greg “Smokey” Hormel, and James Intveld filled the position. Phil Alvin simultaneously expanded his own musical efforts with the release of two acclaimed solo albums, Unsung Stories(Slash/Warner) in 1986 and County Fair 2000 (Hightone) in 1994.

In 1996, current guitarist Keith Wyatt joined the lineup and the Blasters continued touring steadily in the US and Europe before returning to the studio in 2004 to record 4-11-44 (Rainman). After the departure of drummer Jerry Angel, the band reunited with original member Bill Bateman and subsequently released their 2012 CD Fun on Saturday Night (Rip Cat).  Meanwhile, the Blasters’ catalog was renewed with reissues of American Music along with two Slash/Warner compilations (Testament and The Blasters Collection) and the live recordings Trouble Bound and Going Home Live (Shout Factory).

Blasters shows have been described as “a cross between Creedence and the Clash,” with a display of passion and energy only deepened by decades of experience. For all of the ways in which the world has changed in the past few decades, one thing is still guaranteed: the Blasters play American Music.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$20 + applicable fees.

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to See The Blasters Here! 

“DSB is the world’s greatest Journey tribute band.” Katie Daryl-Producer/Host AXS.tv

DSB has been highly revered as the “next best thing” to Journey. They have captured the lush and signature sound of renowned vocalist Steve Perry and Journey in their prime. Complete with a band of world-class musicians, DSB remains true to Journey’s musical legacy and delivers the nostalgic concert experience that will keep you believin’!

Since 2009, DSB’s high-energy stage production and accurate recreations of Journey classics have made DSB the #1 Journey tribute show in the world. In the past seven years, DSB has exploded nationally, performing coast to coast with iconic rock bands Foreigner, Night Ranger, Little River Band, Loverboy, and REO Speedwagon. DSB was anointed The World’s Greatest Journey tribute band by Mark Cuban and Ryan Seacrest’s AXS TV and was featured on the network’s hit show, The World’s Greatest Tribute Bands. Vegas Rocks! Magazine honored DSB and named them Best Rock Tribute. DSB has become a fixture at the annual Sounds Like Summer Concert Series at Walt Disney World’s EPCOT. Recently, DSB embarked on a 12,000 mile U.S. tour and was featured on FOX television and Hallmark Channel’s Home & Family. Currently, DSB is proud to have teamed with Royal Caribbean International to bring the highly acclaimed DSB: An American Journey concert aboard the newest addition to their Quantum Class of luxury cruise ships, The Anthem of the Seas.

Doors 6:30PM | Opening Act 7:30PM | Headlining Act 9PM

$20 | $30 | $40 + applicable fees.

Tables are available for reservation. Call the box office for more information.

Click Here To Buy Tickets To DSB -An American Journey HERE!

There is little doubt among the pure rock community that the legendary band Queen and lead performer Freddie Mercury earn high ranks as one of the most powerful and iconic groups in rock history. Queen, the kings of arena rock, performed to packed stadiums around the globe for over two decades. Freddie took showmanship by a rock front man to a new untapped level and was undisputedly crowned the lord of arena rock. He mesmerized audiences with his charismatic energy and larger than life stage persona. Upon his death in 1991, a huge void was left in the rock concert world, which to this day has not yet been matched. Queen Nation, a tribute to Queen, was formed in 2004. Queen Nation consists of: Gregory Finsley on vocals & keyboards as Freddie Mercury, Mike McManus on guitar as Brian May, Pete Burke on drums as Roger Taylor, and Parker Combs on bass as John Deacon. The mission of the show is to carry on the musical torch and pay homage to the golden age of vintage Queen concerts.Queen Nation’s live 90-minute production of Queen’s greatest hits preserves the image, sound, and stage persona of vintage Queen. Audiences are amazed at the accuracy of Queen Nation’s live retrospective journey through such Queen songs as We Will Rock You – Bohemian Rhapsody – We Are The Champions – Crazy Little Thing Called Love – You’re My Best Friend – Another One Bites The Dust – Under Pressure and many more. They have performed in front of thousands of people at casinos, fairs, festivals and private affairs.
	MIKE McMANUS – GUITAR / VOCALS Born and raised in the suburbs of Boston and weaned on his Dad’s Beatles albums at an early age, Mike could sing every song on the Sgt. Pepper’s album by the age six. It was there he acquired a taste for melodic 70’s arena rock bands such as Queen and Cheap Trick. After High School, Mike enrolled in Berklee College of Music. He soon left Boston for Los Angeles, and began sowing the seeds for what would become the hard rock band, EGODOG EGODOG released three critically acclaimed albums between 1997 and 2001, and traveled abroad each year performing for the U.S. Department of Defense. These very successful tours entertaining our troops took them to such far away countries as Japan, Bosnia, Kosovo and Hungary. In 2003, Mike created the musically animated Uncle Moondog, a scruffy-looking terrier who lives on the beach, sings songs and drives a dune buggy. (Check out www.unclemoondog.com) He wrote, recorded and released the 10-song “Uncle Moondog” CD in December 2003, and has received rave reviews across the country and spanning as far as the U.K. and Japan. In 2004, Mike got a call from singer Joe Retta to complete the line-up for Queen Nation. Looking at it as a labor of love, Mike buckled down and began learning all the guitar parts and transcribing all the harmonies. Not an easy task! Mike stated “I didn’t think I could gain any more respect for Brian May and Queen than I already had… My respect for them DOUBLED when I sat down to learn these songs!” His hard work led to an endorsement with Burns Guitars, maker of the Brian May model. Add to that Mike’s dead-on Brian May mannerisms and accurate stage attire, and you’d swear you were at the L.A. Forum in 1980!
	GREG FINSLEY – VOCALS / PIANO Gregory Finsley has been influenced by music’s greatest heroes since he could turn a radio dial as a child! Having been educated from middle school through high school, jazz and marching bands in Dallas, TX Gregory took up percussion at age 11 and never stopped. His desire to multitask became an easy habit early in life wanting to sing and play the drum set simultaneously and later the piano. Mixing rock, blues, swamp pop, country, and other styles of music in bands, Gregory has played with great musicians in New Orleans since he arrived in 1995. He even played Bourbon St. at the famous Tropical Isle with “Late As Usual” on a weekly basis. Strangely enough, Gregory’s first ever rock concert was Dec, 10, 1977 at Tarrant County Convention Center to see Queen perform being almost 12 years old! Watching the black crown raise up with the mist and smoke, lights and band, he decided he wanted to be a performer no matter what. Aside from his original recordings, Gregory has recorded and performed with many guitarists, piano players, and other vocalists such as John Autin of New Orleans, LA Craig Wallace of Dallas, TX Gary King of New Orleans, LA and even some corporations wanting Queen tunes specialized with different lyrics. His first Queen Tribute (Queen For A Day) was started in Dallas, TX in 2001 by Brian Harris, an outstanding guitarist with a long list of credentials to his name. Gregory, having a cousin living in Los Angeles, introduced him to Queen Nation in 2007 and created an extra push in his musical endeavors, which is now the top performing Queen Tribute in North America. Gregory’s taste in vocalists, artists, and groups include Stevie Wonder, Police, Tony Bennett, Carly Simon, Ronnie James Dio, James Taylor, Yes, Cab Calloway, Rod Stewart, Paul McCartney, Chrissie Hynde, Gene Krupa, David Bowie, Beatles, Frank Sinatra, The Rolling Stones, CSNY, Badfinger, The Cars, Eric Johnson, Carole King, and the list goes on. His other professions and hobbies include custom gardening, Depression glass, fishing the bayous, gourmet cooking, wines, nature and artistic photography, antiques, yoga, and strolling the farmer’s markets.
	PARKER COMBS – BASS Parker Combs, longtime Queen fan, started playing standup bass at 12 years old. After spending the next five years playing in school orchestras and spending summers honing his craft at Interlochen Performing Arts Academy in Michigan he graduated to the electric bass. He has spent the last 18 years playing original and cover music in a variety of rock, funk and country bands. “Playing with Queen Nation has allowed me to use my classical and rock background to truly appreciate John Deacon’s Musicianship and re-discover the music and history of Queen.
	PETER BURKE – DRUMS / VOCALS Peter Burke has been active in the LA music scene since the mid-90s. Originally inspired by classic rock bands like AC/DC, Aerosmith, and Led Zeppelin, the first album he ever bought was Queen’s “The Game”. In college he developed a love for jazz and classical music, performing throughout Europe with the CSUN Symphony Orchestra and statewide with renowned Jazz “A” Band. He earned Bachelor of Music Degree in Percussion Performance from Cal. St. Northridge in 2000. Peter began his professional career playing with the band 10 Speed, signed to A&M Records. They released their debut album internationally in 1998, and embarked on a coinciding tour of the U.S. and Europe. Throughout the first decade of the new millennium, he worked several platinum-selling recording artists including Wilson Phillips, Tiffany, and the BulletBoys. Highlights included appearances on TV shows “The Tonight Show with Jay Leno”, “Good Morning America”, and “On Air with Ryan Seacrest” with Wilson Phillips in support of their Columbia release “California” in 2004, and 2 albums recorded with the BulletBoys [“Sophie” with the help of legendary producer Andy Johns (Led Zeppelin, Rolling Stones), and “Live: Behind the Orange Curtain”]. Also highly regarded as a studio drummer, many of his recordings have appeared in major motion pictures and TV shows. Songs from the 2006 debut album of the band “The Skies of America” with famed producer Sylvia Massey Shivy (Chili Peppers, Tool, Smashing Pumpkins) have appeared in movies “The Bridge to Terabithia”(Disney), National Lampoon’s Van Wilder II, and “Eulogy” (Myriad Pictures). He’s also recorded with Joseph Arthur (for “One Hour Photo”, with Robin Williams), and Paperback Hero, who have had songs placed in TV shows “Friday Night Lights”(NBC), “Shark”(CBS), and “Felicity”(WB). Paperback Hero recently finished up its new Full length album, entitled “Cautionary Tale” with producer Jay Ruston (The Donnas, Steel Panther, Army of Freshman) for a 2010 release. Paperback Hero also recently won the KYSR – 98.7 FM (Clear Channel/Los Angeles) “Rock Star 3” competition – among the prizes was $25,000, and a performance at the opening of the new Grammy Museum @ LA Live on the Nokia Plaza to a crowd of more than 3000 fans. As a performer in tribute bands, you can catch Peter playing drums with Queen Nation (Queen), The Who Revue (The Who), and Holy Diver (Dio). Also, he currently plays vibraphone in Shades of Jade: A Tribute to Cal Tjader.

Doors 6:30PM | Opening Act 7:30PM | Headliner 9PM

$25 | $35 | $45 +applicable fees

Tables are available for reservation. Call the box office for more information.

  Buy Tickets to Queen Nation!